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Chinese Drama After the Cultural Revolution, 1979-1989
  • Language: en
  • Pages: 556

Chinese Drama After the Cultural Revolution, 1979-1989

Covering the two major dramatic forms in China, this volume includes a translation of two traditional operas and five spoken plays. These works are among the most controversial plays produced in the post-Mao era, and collectively represent a new trend which could transform Chinese drama.

Polyphony Embodied - Freedom and Fate in Gao Xingjian’s Writings
  • Language: en
  • Pages: 272

Polyphony Embodied - Freedom and Fate in Gao Xingjian’s Writings

Like artists, important writers defy unequivocal interpretations. Gao Xingjian, winner of the Nobel Prize in literature, is a cosmopolitan writer, deeply rooted in the Chinese past while influenced by paragons of Western Modernity. The present volume is less interested in a general discussion on the multitude of aspects in Gao's works and even less in controversies concerning their aesthetic value than in obtaining a response to the crucial issues of freedom and fate from a clearly defined angle. The very nature of the answer to the question of freedom and fate within Gao Xingjian's works can be called a polyphonic one: there are affirmative as well as skeptical voices. But polyphony, as embodied by Gao, is an even more multifaceted phenomenon. Most important for our contention is the fact that Gao Xingjian's aesthetic experience embodies prose, theater, painting, and film. Taken together, they form a Gesamtkunstwerk whose diversity of voices characterizes every single one of them.

Nativism Overseas
  • Language: en
  • Pages: 302

Nativism Overseas

  • Type: Book
  • -
  • Published: 1993-07-01
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  • Publisher: SUNY Press

This book examines five of the most influential Chinese-born women writers of the post-war era: Nie Hualing, Yu Lihua, Chen Ruoxi, Li Li, and Zhong Xiaoyang. They have become a dominating force in Chinese literature today, although they presently reside outside their homeland. This book raises a clear and consistent voice in line with the literature of exile and self discovery. As these writers talk of the ‘root’—the self, and their social, cultural, and historical identities— their varied voices share the unique characteristics of the literature of exile. These women, who continue to write in their native language, envision themselves as the literary mediators between their lost past an...

Acting the Right Part
  • Language: en
  • Pages: 483

Acting the Right Part

Acting the Right Part is a cultural history of huaju (modern Chinese drama) from 1966 to 1996. Xiaomei Chen situates her study both in the context of Chinese literary and cultural history and in the context of comparative drama and theater, cultural studies, and critical issues relevant to national theater worldwide. Following a discussion of the marginality of modern Chinese drama in relation to other genres, periods, and cultures, early chapters focus on the dynamic relationship between theater and revolution. Chosen during the Cultural Revolution as the exclusive artistic vehicle to promote proletariat art, "model theater" raises important questions about the complex relationships between women, memory, nation/state, revolution, and visual culture. Throughout this study, Chen argues that dramatic norms inform both theatrical performance and everyday political behavior in contemporary China.

The Cultural Revolution in Post-Mao Literature
  • Language: en
  • Pages: 442

The Cultural Revolution in Post-Mao Literature

  • Type: Book
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  • Published: 1983
  • -
  • Publisher: Unknown

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Ink Dances in Limbo
  • Language: en
  • Pages: 199

Ink Dances in Limbo

In this pioneering study of the entire written works of Gao Xingjian (高行健), China's first winner of the Nobel Prize for Literature, Jessica Yeung analyses each group of his writing and argues for a reading of Gao's writing as a phenomenon of "cultural translation": his adoption of Modernism in the 1980s is a translation of the European literary paradigm; and his attempt at postmodernist writing in the 1990s and 2000s is the effect of an exilic nihilism expressive of a diasporic subjectivity struggling to translate himself into his host culture. Thus Dr Yeung looks at Gao's works from a double perspective: in terms of their relevance both to China and to the West. Avoiding the common po...

Reference Guide to World Literature
  • Language: en
  • Pages: 1174

Reference Guide to World Literature

Covers writers from the ancient Greeks to 20th-century authors. Includes biographical-bibliographical entries on nearly 500 writers and approximately 550 entries focusing on significant works of world literature. Each author entry provides a detailed overview of the writer's life and works. Work entries cover a particular piece of world literature in detail.

Journal of Dramatic Theory and Criticism
  • Language: en
  • Pages: 308

Journal of Dramatic Theory and Criticism

  • Type: Book
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  • Published: 1995
  • -
  • Publisher: Unknown

None

Concerning Poetry
  • Language: en
  • Pages: 508

Concerning Poetry

  • Type: Book
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  • Published: 1984
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  • Publisher: Unknown

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CHINOPERL Papers
  • Language: en
  • Pages: 220

CHINOPERL Papers

  • Type: Book
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  • Published: 2006
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  • Publisher: Unknown

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