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More Than Meets the Eye
More Than Meets the Eye seeks to dismantle traditional understandings of blindness through scrutiny of philosophical speculation, scientific case studies, literary depictions, and museum access programs for the blind. It introduces blind and visually impaired artists whose work has shattered stereotypes and opened up new aesthetic possibilities for everyone.
Cultural Inclusion for Young People with SEND
This practical book offers a multifaceted view of cultural inclusion from the perspective of special educational needs and disabilities (SEND). It provides a road map for teachers to ensure increased participation in arts and culture for children and young people with SEND, defining a series of characteristics for good practice. Chapters explore spaces as diverse as galleries, museums, theatres and performance venues and include a variety of case studies, highlighting the experiences of young people and the organisations who partner with schools. Cultural Inclusion for Young People with SEND offers a compelling call to action and is an essential resource for those who have the power to improve and support the development of future provision for children with SEND.
Beyond the Visual
A groundbreaking volume on the role of the non-visual in art and the emerging field of blindness arts. In what ways can visual art be enjoyed beyond sight? Bringing together leading international scholars and artists in the emerging field of "blindness arts"--including blind and partially blind artists, curators, advocates for inclusive practices and models of audio description, cognitive psychologists, and theorists of installation, performance, and sound art--Beyond the Visual seeks to broaden the discussion of multisensory ways of beholding contemporary art, with a particular emphasis on modes that transcend a dependency upon sight. Through diverse examples of multisensory engagement, it contributes to ongoing conversations around accessibility and blindness in art while also challenging and expanding our understanding of how art is experienced.
Four Plays by the Charabanc Theatre Company
The Charabanc Theatre Company played a major role in Northern Ireland's theatrical renaissance during the 1980s. Charabanc was formed by five out-of-work Belfast actresses (Marie Jones, Maureen Macauly, Eleanor Methven, Carol Moore, Brenda Winter) who first collected stories and then collaborated in writing and performing highly original plays for enthusiastic audiences. From 1983 to 1995, the company toured twenty-tour productions extensively throughout Ireland and the world, spreading their own particular brand of exuberant, dark humour. The four plays in this collection - Now You're Talking (1985), Gold in the Streets (1986), The Girls in the Big Picture (1986), and Somewhere Over the Bal...
Beyond the Visual
Beyond the Visual broadens the discussion of multisensory ways of beholding contemporary art, with a particular emphasis on modes that transcend a dependency upon sight. A central premise is that a shift in the aesthetic engagement afforded by hybrid forms of contemporary art has the potential to open up new sensory and cognitive engagements for blind and partially blind people. This is a subject that has rarely been addressed within the literature on contemporary arts or disability studies. Bringing together leading international scholars and artists in the emerging field of ‘blindness arts’, including blind and partially blind artists, curators, advocates for inclusive practices and mo...
The Holyland
Set in the student area of Belfast, and taking place on the last day of the year, this play explores issues of identity and belonging in a disparate group of young people.
Theatre Record
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