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A LOVE LETTER TO KHAYAL, THE MOST WIDESPREAD GENRE OF HINDUSTANI CLASSICAL MUSIC. On a winter evening in 2016, Sumana Ramanan casually attends a private Hindustani music performance in South Mumbai. The singer, a man in his early seventies, specialises in khayal, one of the Indian subcontinent's most scintillating music genres, the very name of which means 'imagination'. Astounded by what she hears, Ramanan sets off on a mission to solve the mystery of the missing maestro: for, although a student of khayal, a regular concertgoer and a writer on music, she has never heard him before. In this musical detective story, Ramanan unravels the secret of the life, art and milieu of the singer, Arun K...
The Classical Music Of The India-Pakistan-Bangladesh Subcontinent Is One Of The New Ancient Art Forms Still Widely Practised Today. In Recent Years It Has Been Much Appreciated All Over The World. This Book, Written By Indian Writers, Serves To Deepen That Appreciation To Understanding. It Covers The Philosophy And History Of Indian Music Clearly And Concisely And Relates Its Growth And Development To Social, Cultural, Religious And Political Factors. India S Musical Contacts With The East And West Are Also Discussed And Their Value Assessed. The Technical Chapters Explain The Raga And Tala Systems, The Numerous Instruments From North And South Are Described In Detail With The Help Of Excell...
"Akashvani" (English) is a programme journal of ALL INDIA RADIO, it was formerly known as The Indian Listener. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes, who writes them, take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service, Bombay, started on 22 December, 1935 and was the successor to the Indian Radio Times in English, which was published beginning ...
And The Music Lives On is an authoritative compilation of articles focusing on the Hindi film music of the Golden Era. It emphatically highlights the exceptional composers, singers, and lyricists of that time. It provides in-depth explanations of musical concepts such as Scherzando and Doo-wop, supported by numerous examples. Additionally, it includes a diverse range of topics, from songs sung on bullock carts to a comprehensive chapter on qawwalis. Moreover, it vividly portrays the dedication of actor Balraj Sahni, who would shoot during the day and spend his nights in prison. This book is an invaluable treasure trove of information.
Current Affairs February 2017 eBook is created by keeping the demands of recent pattern of various competitive exams in major view. It is brought to you by Jagranjosh.com . The topics for cover story, and entire news section are selected on the basis of an analysis of general knowledge sections in all important exams including IAS, PCS, BANK, SSC, Insurance and others. And the time duration of topics covered in magazine includes all exam oriented current affairs of January 2017. Current Affairs February 2017 eBook It presents the comprehensive coverage of the events of current affairs which are chosen on the basis of the requirements of all important exams. It covers all exam oriented curren...
The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service,Bombay ,started on 22 December, 1935 and was the successor to the Indian Radio Times in english, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it was published by All India Radio,New Delhi.In 1950,it was turned into a weekly journal. Later,The Indian listener became "Akashvani" in January 5, 1958. It was made a fortnightly again on July 1,1983. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes,who writes them,take part in them and produce them alo...
From Begum Akhtar to Bhimsen Joshi, Enayat Khan to Ravi Shankar, Bismillah Khan to Shiv Kumar Sharma, Indian classical music is as varied as it can be, from the pure traditional gharanas to more recent blends and fusions. Young sarod players Amaan and Ayaan Ali Khan have grown up surrounded by music and musicians. In this tribute to the masters of Indian classical music, both instrumental and vocal, they take us through their encounters with fifty musicians from the twentieth century, exploring the world of both Hindustani and Carnatic music. Filled with personal anecdotes and musical appraisals, this book takes you through the best of Indian classical music. Interspersed with some rare photographs from the authors personal collection as well as descriptions and details of every recording they have discussed, this book is a keepsake for the connoisseur and a comprehensive introduction to the beginner.
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