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The Companion to Contemporary Black British Culture is the first comprehensive reference book to provide multidisciplinary coverage of the field of black cultural production in Britain. The publication is of particular value because despite attracting growing academic interest in recent years, this field is still often subject to critical and institutional neglect. For the purpose of the Companion, the term 'black' is used to signify African, Caribbean and South Asian ethnicities, while at the same time addressing the debates concerning notions of black Britishness and cultural identity. This single volume Companion covers seven intersecting areas of black British cultural production since 1...
France, July 1918. Nineteen-year-old Roland Massey, fresh out of grammar school, has been conscripted into the British Army and sent to the Western Front. His over-riding aim is to see out the remainder of the war and return unscathed to the comfortable middle-class life he left behind in Cheshire. Following a battle near Rheims, he is given temporary charge of Paul Sondheim, a captured German soldier. Their brief conversation results in a reunion after the war ... and Roland's introduction to Paul's sister, the beautiful Stefanie Sondheim. A Chance Encounter is a tale of friendship, romance, and betrayal set in the turbulent period between the closing months of the First World War and the e...
This book presents novel insights into the work and practice of the actor Krishnan Nair, who was unique in the field of Kathakali, the dance drama of South India. It shows how, because of his superb ability to connect with his audiences and the sheer charisma of his personality, Nair was able to achieve his burning ambitions. It highlights how Nair was able to ensure that Kathakali performers were invested with status and were paid a decent wage, allowing them to live in reasonable comfort.
Moving Words provides a direct line into the most pressing issues in contemporary dance scholarship, as well as insights into ways in which dance contributes to and creates culture. Instead of representing a single viewpoint, the essays in this volume reflect a range of perspectives and represent the debates swirling within dance. The contributors confront basic questions of definition and interpretation within dance studies, while at the same time examining broader issues, such as the body, gender, class, race, nationalism and cross-cultural exchange. Specific essays address such topics as the black male body in dance, gender and subversions in the dances of Mark Morris, race and nationalism in Martha Graham's 'American Document', and the history of oriental dance.
This work examines the British experience, the work and contribution of Indian dance practioners based in Britain working primarily in a British/European context and how these factors have contributed to the development of Indian dance.
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Here was a man. Prolific writer Acerbic critic Editor nonpareil Trenchant humourist Connoisseur of single malt Lover of life, words, women, and all things beautiful ‘You know that I am 99 years old.’ I replied: ‘May my years be added to yours.’ He looked up at me with the softest expression, and said: ‘No, but may you live as long as I have.’ I held his hand, the hand that had spent a lifetime writing books and inimitable articles, and kissed it. He brushed his cheek with mine. Both of us knew that it was a farewell. I left and stood on the gravel outside … – Fakir Syed Aijazuddin, Features Writer, Dawn … the Patiala Peg of publishing is no more! But we will continue to raise our glasses and thank him for liberating us from our idiotic, hypocritical, fake, humourless lives … for making us laugh at ourselves … for ridding us of quaint sexual hang-ups … for chucking old rules into the waste basket … for caring a damn! Jeena isi ka naam hai! – Shobhaa Dé, Bestselling Author
The classical music of India, its history, instruments, musicians, and theory are thoroughly discussed in this copiously illustrated reference.