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Caribbean migration to Britain brought many new things--new music, new foods, new styles. It brought new ways of thinking too. This lively, innovative book explores the intellectual ideas which the West Indians brought with them to Britain. It shows that for more than a century West Indians living in Britain developed a dazzling intellectual critique of the codes of Imperial Britain. This is the first comprehensive discussion of the major Caribbean thinkers who came to live in twentieth-century Britain. Chapters discuss the influence of, amongst others, C.L.R. James, Una Marson, George Lamming, Jean Rhys, Claude McKay and V.S. Naipaul.
The book Diaspora Literature: Identity Beyond Borders is a compendium of erudite academic articles depicting the generations of diasporic contemplation and consequences figured out in the literature of this specific theme and motif. The book is an enterprise to portray the displacement, alienation, clashes, assimilation, acculturation, rootlessness, torn identities, quest for identity, crisis of identity, and fusion and conflict between two cultures that have been stringed out in three parts of diasporic concerns—Ecumenical Scenario, Acculturation and Question of Hyphenation in Indian Diaspora and Oscillating State of expatriates and immigrants.
A superb combination of focused case studies and high level conceptual thinking, this volume is an important monument in the ongoing development of Inter-American studies The articles gathered here closely examine a wide variety of cultural phenomena implicated in the 'entanglements' which have defined the history of the Americas. From religious networks to music and dance, and across a range of literary and artistic works, the mobility of people, objects, and ideas in the Americas is expertly mapped. At the same time, the book represents a serious enterprise of theory-building. Drawing on the histories of postcolonial thought, mobility studies, and work on human migration, Mobile and Entangled America(s) clearly establishes a new interdisciplinary field attentive both to the complexities of cultural form and the pervasiveness of power relations. Each article stands as a significant piece of scholarship on its own, but all are in dialogue with each other. The result is a richly satisfying and important volume of cultural scholarship.
This book explores representations of Obeah – a name used in the English/Creole-speaking Caribbean to describe various African-derived, syncretic Caribbean religious practices – across a range of prose fictions published in the twentieth century by West Indian authors. In the Caribbean and its diasporas, Obeah often manifests in the casting of spells, the administration of baths and potions of various oils, herbs, roots and powders, and sometimes spirit possession, for the purposes of protection, revenge, health and well-being. In most Caribbean territories, the practice – and practices that may resemble it – remains illegal. Narratives of Obeah in West Indian Literature analyses fic...
This much-needed collection examines the formation of a black British canon including writers, dramatists, film-makers and artists. Contributors including John McLeod, Michael McMillan, Mike Phillips and Alison Donnell discuss the textual, political and cultural history of black British and the term 'black British' itself.
For the first time the Dutch-speaking regions of the Caribbean and Suriname are brought into fruitful dialogue with another major American literature, that of the anglophone Caribbean. The results are as stimulating as they are unexpected. The editors have coordinated the work of a distinguished international team of specialists. Read separately or as a set of three volumes, the History of Literature in the Caribbean is designed to serve as the primary reference book in this area. The reader can follow the comparative evolution of a literary genre or plot the development of a set of historical problems under the appropriate heading for the English- or Dutch-speaking region. An extensive inde...
This ambitious study offers a comprehensive analysis of the visual in authors from the Anglophone Caribbean. Mary Lou Emery analyses works by George Lamming, C. L. R. James, Derek Walcott, Wilson Harris, Jamaica Kincaid and David Dabydeen. This study is an original and important contribution to both transatlantic and postcolonial studies.
Caribbean women's writing has emerged in the field of new literature in the final three decades of the twentieth century. The debate around this writing intensifies giving rise to a great many questions: Who are Caribbean women writers? Out of what kind of tradition are they writing? What are the dynamics of the literature? These are just a few of the issues addressed in Framing the Word. Shifting the focus from poetry to the novel; from Afro-Cuban writing to the representation of Asian-Caribbean women; from the oral tradition to the scribal, this critical anthology develops the debate concerning ways of reading Caribbean women's literature. Framing the Word offers challenging perspectives from writers and critics alike working and/or teaching mainly in the Caribbean, the UK and the USA.
This work examines the male characters presented in each of the following works: Susan Warner's "The Wide, Wide World" (1850), Fanny Fern's "Ruth Hall" (1855), Harriet E. Wilson's "Our Nig" (1859), and Harriet Jacobs' "Incidents in the Life of a Slave Girl" (1861). These sentimental women authors presented masculine ideals in their literature and have played an important role in the construction of gender in America.
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