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Black Atlantic Hybrids: Samples of Brazilian Music of the 1960s and 1970s in U.S. American Hip Hop
This monograph examines how sampling in U.S. Hip Hop transgresses national and regional boundaries. By contextualizing and comparing the Brazilian source material from the 1960s and 1970s with U.S. Hip Hop from the 1990s onwards, it traces flows of musicians, music, and ideology along the Interamerican U.S.-Brazil axis. The fusion and recontextualization of music styles through sampling shed light on aspects of the African American struggle and result in transcultural musical hybrids that encompass the African diaspora in the Americas, activism, cultural resistance, and 'double consciousness'. Building on postmodern intertextuality, these hybrids become products of a 'sonic cosmopolitanism' for a world shaped by the heritage of the black Atlantic.
Afro-Latin Soul Music and the Rise of Black Power Cosmopolitanism
Whereas research on the global impact of US African American culture and politics and transnational connections in the African Diaspora has increased significantly since the release of Gilroy ́s Black Atlantic, the hemispheric dialogues between black communities in the US and Latin America have remained somewhat understudied until now. Focusing on the role of Soul music for the popularization of the Black Power movement in Afro-Latin American contexts in the 1960s and 1970s, this book aims to contribute to a better understanding of the networks of solidarity that connected geographically and linguistically distant afro-diasporic communities in their struggles for emancipation and against th...
Black Matters
Halifax’s former Poet Laureate Afua Cooper and photographer Wilfried Raussert collaborate in this book of poems and photographs focused on everyday Black experiences. The result is a jambalaya — a dialogue between image and text. Cooper translates Raussert’s photos into poetry, painting a profound image of what disembodied historical facts might look like when they are embodied in contemporary characters. This visual and textual conversation honours the multiple layers of Blackness in the African diaspora around North America and Europe. The result is a work that amplifies black beauty and offers audible resistance.
The Routledge Handbook of Indigenous Film
The Routledge Handbook of Indigenous Film is dedicated to bringing the work of Indigenous filmmakers around the world to a larger audience. By giving voice to transnational and transcultural Indigenous perspectives, this collection makes a significant contribution to the discourse on Indigenous filmmaking and provides an accessible overview of the contemporary state of Indigenous film. Comprising 37 chapters by an international team of contributors, the Handbook is divided into six parts: Decolonial Intermedialities and Revisions of Western Media Colonial Histories, Trauma, Resistances Indigenous Lands, Communities, Bodies Queer Cultures and Border Crossings Youth Cultures and Emancipation A...
Varieties of Literary Interpretations of Jazz in American Writings of the 1950s and 1960s
Thesis (M.A.) from the year 2006 in the subject American Studies - Literature, grade: 1,0, University of Dusseldorf "Heinrich Heine", 113 entries in the bibliography, language: English, abstract: In a retrospective, black musical forms experienced a fast stylistic development and an increasing popularity amongst a wide audience of artists and youngsters inclined to American subculture all through the 1940s, '50s, and '60s. One of the most influential and significant among these musical forms was jazz music. Writers began to apply it to their own work in manifold ways. From a retrospective, the effect of this convergence of jazz and literature, which is now commonly referred to as 'jazz literature', was mostly structural or thematic (and sometimes even both), and would soon cover a great variety of different literary genres. The present thesis aims to identify the various ways in which writers applied their experiences with jazz music to their writings. It covers different literary genres and authors, such as John Clellon Holmes, Amiri Baraka, Jack Kerouac, and James Baldwin.
Urban Reflections
This book is mix-media publication of image and text in dialogue. It wants to unravel the beauty and politics of contemporary city space, mainly in the Americas . It narrates by creating a dialogue between photography, poetry, and street art. The book is designed as a little pocket gallery that you carry with you to be read, enjoyed and shared en route and in the public spaces of our cities.
Transcultural Visions of Identities in Images and Texts
The contributions engage with literary, political and cultural practices in America, past and present, set out to transcend long established paradigms of an American "exceptionalism" or critical approaches that hold on to the notion of a core Americanness as a single nationalist mythology of the United States. "America" then functions as a signifier that is configured in and by its presence outside and beyond the national borders of the United States of America. The overall thrust of our volume draws upon concepts of the "New American Studies," especially "Post-Nationalist American Studies."
Off the Grid
Looking at three historically distinct conjunctures of artistic practice, this book claims public space for renegotiating art and community, art and politics, art and economy. This book investigates the changing relations between art practice and public space, between art and community, and between art and resistance in the Americas in the 1920s, 1960s, and the contemporary period. The book explores new visions of culture, community, and public space in the U.S. and Latin America as they have emerged from artistic practice in public sites.
Amerikastudien
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Traveling Sounds
Within their approach to trace the routes of music and music's impact on identity formation the editors take the popularity of American music more or less for granted. Most genres addressed in this study have emerged within the multiethnic US or the Americas on a larger scale, most have traversed through the Americas and, in different adaptations, through different parts of the world. Tracing the migration of sounds, the editors see American music at home and abroad as an intricate part of a historical process of globalization and as embedded in complex and multidirectional processes of exchange and transformation. They understand the migration of American forms of music not as a one-dimensi...
