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Meticulously analysing 15 beautifully decorated Arabic and Persian manuscripts, Cailah Jackson traces the development of calligraphy and illumination in late medieval Anatolia before the rise of the Ottoman Empire
Rising from nomadic origins as Turkish tribesmen, the powerful and culturally prolific Seljuqs and their successor states dominated vast lands extending from Central Asia to the eastern Mediterranean from the eleventh to the fourteenth century. Supported by colour images, charts, and maps, this volume examines how under Seljuq rule, migrations of people and the exchange and synthesis of diverse traditions-including Turkmen, Perso-Arabo-Islamic, Byzantine, Armenian, Crusader and other Christian cultures-accompanied architectural patronage, advances in science and technology and a great flowering of culture within the realm. It also explores how shifting religious beliefs, ideologies of authority, and lifestyle in Seljuq times influenced cultural and artistic production, urban and rural architecture, monumental inscriptions and royal titulature, and practices of religion and magic. It also presents today's challenges and new approaches to preserving the material heritage of this vastly accomplished and influential civilization.
Christian Mauder’s In the Sultan’s Salon builds on his award-winning research and constitutes the first detailed study of the Egyptian court culture of the Mamluk Sultanate (1250–1517). Based mainly on understudied Arabic manuscript sources describing the learned salons of the Mamluk Sultan al-Ghawrī, In the Sultan’s Salon presents the first theoretical conceptualization of the term “court” that can be fruitfully applied to premodern Islamic societies. It uses this conceptualization to demonstrate that al-Ghawrī’s court functioned as a transregionally interconnected center of dynamic intellectual exchange, theological debate, and performance of rule that triggered novel developments in Islamic scholarly, religious, and political culture.
This lavishly illustrated volume presents the major surviving monuments of the early period of the Rum Seljuqs, the first major Muslim dynasty to rule Anatolia. A much-needed overview of the political history of the dynasty provides the context for the study of the built environment which follows. The book addresses the most significant monuments from across the region: a palace, a minaret and a hospital are studied in detail, along with an overview of the decorative portals attached to a wide array of different building types. The case studies are used to demonstrate the key themes and processes of architectural synthesis and development that were under way at the time, and how they reflect the broader society.
This groundbreaking work studies the Arabic literary culture of early modern Southeast Asia on the basis of largely unstudied and unknown manuscripts. It offers new perspectives on intellectual interactions between the Middle East and Southeast Asia, the development of Islam and especially Sufism in the region, the relationship between the Arabic and Malay literary traditions, and the manuscript culture of the Indian Ocean world. It brings to light a large number of hitherto unknown texts produced at or for the courts of Southeast Asia, and examines the role of royal patronage in supporting Arabic literary production in Southeast Asia.
A new understanding of the transformation of Anatolia to a Muslim society in the thirteenth-fourteenth centuries based on previously unpublished sources.
The first English language general history of the Great Seljuk Empire outlines its chronological history and will explores its religious and institutional history.
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