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Anniversary publication of the Belvedere The Belvedere in Vienna epitomizes the changes that have taken place over the course of three centuries in the concept of what constitutes a museum. Originally built by Prince Eugene of Savoy to enhance his prestige as a prince, under Maria Theresa, the Upper Belvedere became one of the world’s first public museums. The idea of presenting Austrian art in an international context, which in 1903 motivated the establishment of the Modern Gallery in the Lower Belvedere, remains the key objective of this world-famous cultural institution. In this critical homage, renowned authors explore enduring questions that transcend the different epochs, such as : W...
Empress Elisabeth of Austria (1837-1898), wife of Habsburg Emperor Francis Joseph I, was celebrated as the most beautiful woman in Europe. Glamorous painted portraits by Franz Xaver Winterhalter and widely collected photographs spread news of her beauty, and the twentieth-century German-language film trilogy Sissi (1955-57) cemented this legacy. Despite the enduring fascination with the empress, art historians have never considered Elisabeth’s role in producing her public portraiture or the influence of her creation. The Celebrity Monarch reveals how portraits of Elisabeth transformed monarchs from divinely appointed sovereigns to public personalities whose daily lives were consumed by spectators. With resources ranging from the paintings of Gustav Klimt and Elisabeth’s private collection of celebrity photography to twenty-first century collages and films by T. J. Wilcox, this book positions Elisabeth herself as the primary engineer of her public image and argues for the widespread influence of her construction on both modern art and the emerging phenomenon of celebrity.
Erasures and Eradications in Modern Viennese Art, Architecture and Design challenges the received narrative on the artists, exhibitions, and interpretations of Viennese Modernism. The book centers on three main erasures—the erasure of Jewish artists and critics; erasures relating to gender and sexual identification; and erasures of other marginalized figures and movements. Restoring missing elements to the story of the visual arts in early twentieth-century Vienna, authors investigate issues of gender, race, ethnic and sexual identity, and political affiliation. Both well-studied artists and organizations—such as the Secession and the Austrian Werkbund, and iconic figures such as Klimt a...
This co-edited volume offers new insights into the complex relations between Brussels and Vienna in the turn-of-the-century period (1880-1930). Through archival research and critical methods of cultural transfer as a network, it contributes to the study of Modernism in all its complexity. Seventeen chapters analyse the interconnections between new developments in literature (Verhaeren, Musil, Zweig), drama (Maeterlinck, Schnitzler, Hofmannsthal), visual arts (Minne, Khnopff, Masereel, Child Art), architecture (Hoffmann, Van de Velde), music (Schönberg, Ysaÿe, Kreisler, Kolisch), as well as psychoanalysis (Varendonck, Anna Freud) and café culture. Austrian and Belgian artists played a cruc...
The history and redevelopment of the building housing the Heidi Horten Collection. In early 2022, the Heidi Horton Collection opened in the heart of Vienna. For its first book, the Collection decided to showcase the creation of this new exhibition venue, its architecture, and its construction history, positioning it within the context of the foundation of new museums. Heidi Goëss-Horten's art collection has been carefully cultivated since the early 1990s and focuses mainly on works of international modernism, Neo-Expressionism, and American Pop-Art. This richly illustrated book examines the previous historical buildings on the space where the museum now stands, their princely clients, the current redesign, and the conversion of a former secular residential outbuilding into a contemporary art museum. An interview with Heidi Goëss-Horten rounds out the book, allowing the collector and patron to introduce herself and provide fascinating insights into a prestigious European private collection.
Austrian symbolist painter Gustav Klimt (1862-1918) expressed in his work a fascination with the liminal worlds that underpin his figures and landscapes. His art echoes different styles and traditions yet he has no obvious predecessors or disciples. Offering a critical reappraisal of Klimt, the author explores the threshold universe depicted in a wide range of works from all phases of his prolific career, complemented with references to his correspondence.
The Viennese artists association Hagenbund played a crucial role in the artistic scene of not only Vienna but of Central Europe in general. Active from 1900 to 1938, the group united several different art movements under its umbrella and helped to introduce a new creative dynamic at a time when the Vienna Secession was slowly losing its impact. In that context, the liberal political and artistic attitude of the Hagenbund membership was revolutionary. The Hagenbund counted more than 250 members, among them Georg Merkel, Oskar Laske, Carry Hauser, Otto Rudolf Schatz, Emil Strecker, and Fritz Schwarz-Waldegg. This volume traces the history of the Hagenbund and its influence, offering the first sustained analysis of the group in an art-historical context. Packed with more than three hundred color images, it will be the standard work on the Hagenbund for decades to come."
Vienna: Art and Design: Klimt, Schiele, Hoffmann, Loos is a stylish and timeless publication that highlights this extraordinary and provocative period when a unique generation of artistic and intellectual geniuses laid the foundations for life in the twentieth century. Beginning in 1897 artists such as Gustav Klimt, Josef Hoffmann, Koloman Moser, Adolf Loos and Egon Schiele transformed Vienna into a dynamic, vibrant metropolis at the forefront of groundbreaking modernism.
Artwork by Shirin Neshat. Edited by Beatrice Stammer, Britta Schmitz.
Music Tames the Beast is the most comprehensive overview of Austrian painter Constantine Luser's (born 1976) work to date. At the core of Luser's oeuvre lies the notion of translation--translating a drawing into the physical world of touch, sound and movement.