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The Bloomsbury Guide to Philosophy of Disability is a revolutionary collection encompassing the most innovative and insurgent work in philosophy of disability. Edited and anthologized by disabled philosopher Shelley Lynn Tremain, this book challenges how disability has historically been represented and understood in philosophy: it critically undermines the detrimental assumptions that various subfields of philosophy produce; resists the institutionalized ableism of academia to which these assumptions contribute; and boldly articulates new anti-ableist, anti-sexist, anti-racist, queer, anti-capitalist, anti-carceral, and decolonial insights and perspectives that counter these assumptions. Thi...
A 2022 Choice Reviews Outstanding Academic Title The Moral Psychology of Hate provides the first systematic introduction to the moral psychology of hate compiling specially commissioned essays by an international team of scholars with a wide range of disciplinary orientations. In light of the recent revival of interest in emotions in academic philosophy, and the current social and political interest in hate, this volume provides arguments for and against the value of hate through a combination of empirical and philosophical methods. The authors examine hate not merely as a destructive feeling but as an emotion of great moral significance that illuminates how we understand each other and ourselves. The book will be of major interest to anyone concerned with the dynamics and the moral and political implications of this most powerful of human emotions.
This volume describes and analyses a series of emotions prevalent in everyday life and culture, with each chapter exploring the main facets of a particular emotion and considering the ways in which it manifests itself in and informs our culture and lives. Considering our expression, conception, management and sanctioning of emotions, and the ways in which these have changed over time, as well as the ways in which we can theorise particular emotional states, authors ask how certain emotions are linked to culture and society and what roles they play in politics and contemporary life. With examples and case studies taken from research into media, culture and social life, Emotions in Culture and Everyday Life will appeal to scholars of sociology, anthropology, psychology, media and cultural studies and philosophy with interests in the emotions.
For centuries, revolutionaries have spoken of the emotional arousal that motivated them to revolt. Studies of revolutions, however, rarely give these emotional narratives the power that actors themselves recount. This book argues that revolutionary waves, from 1848 to the present, cannot be explained without the emotions that motivated potential revolutionaries to imitate revolts in neighboring states. The shared identity of revolutionaries across borders leads to a shared emotional arousal and adoption of protest frames and methods. By grounding the theory in revolutionaries' emotional narratives and breaking down the dichotomies that plague revolution research-structure/agency, domestic/ international--Revolutionary Emotions provides a powerful new theory of revolutionary diffusion and success.
In recent years, music theorists have been increasingly eager to incorporate findings from the science of human cognition and linguistics into their methodology. In the culmination of a vast body of research undertaken since his influential and award-winning Conceptualizing Music (OUP 2002), Lawrence M. Zbikowski puts forward Foundations of Musical Grammar, an ambitious and broadly encompassing account on the foundations of musical grammar based on our current understanding of human cognitive capacities. Musical grammar is conceived of as a species of construction grammar, in which grammatical elements are form-function pairs. Zbikowski proposes that the basic function of music is to provide sonic analogs for dynamic processes that are important in human cultural interactions. He focuses on three such processes: those concerned with the emotions, the spontaneous gestures that accompany speech, and the patterned movement of dance. Throughout the book, Zbikowski connects cognitive research with music theory for an interdisciplinary audience, presenting detailed musical analyses and summaries of the basic elements of musical grammar.
How are pain and joy constructed, articulated, represented, manipulated, and, ultimately, socially determined? This is the first collection of essays that investigates how such multi-faceted and subjective domains of human experience as pain and joyâ "which combine physical, psychological, private, public, conceptual, and cultural dimensionsâ "are represented and reconstructed in language, literature, and culture. Adopting a genuinely interdisciplinary approach, the book is organized around themes and divided into four parts which blend literary, cultural, and linguistic examinations of theoretical angles, socio-cultural appropriations, stage and screen constructions, and the body. Contrib...
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