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Juxtaposing artistic and musical representations of the emotions with medical, philosophical and scientific texts in Western culture between the Renaissance and the twentieth century, the essays collected in this volume explore the ways in which emotions have been variously conceived, configured, represented and harnessed in relation to broader discourses of control, excess and refinement. Since the essays explore the interstices between disciplines (e.g. music and medicine, history of art and philosophy) and thereby disrupt established frameworks within the histories of art, music and medicine, traditional narrative accounts are challenged. Here larger historical forces come into perspective, as these papers suggest how both artistic and scientific representations of the emotions have been put to use in political, social and religious struggles, at a variety of different levels.
The studies on American artistic production in viceregal times have revolved since their beginnings around the problem of style, meaning, or attribution, among others. In recent years, hand in hand with a look more attentive to social and cultural issues and to interdisciplinary intersections, an inquiry into the materiality of these objects has appeared as unavoidable. In this sense, Materia Americana is a book that, for the first time, brings together the research of leading art historians, chemists, physicists, curators, and museologists concerned with Spanish-American art, and purports to become a reference book for future works on the subject.
As early as the 1950s, Professor Irving Lavin was recognized as a major voice in American art history. His sustained production of seminal scholarly contributions have left their mark on an astonishingly wide range of -subjects and fields. Bringing these far-reaching publications together will not only provide a valuable resource to scholars and -students, but will also underscore fundamental themes in the history of art - historicism, the art of commemoration, the relationship between style and meaning, the -intelligence of artists - themes that define the role of the visual arts in human communication. Irving Lavin is best known for his array of fundamental publications on the Baroque arti...
Celebrated in literature and Hollywood movies, the lives of the Ancient Egyptian queens have become synonymous with power, beauty, and glory. Cleopatra, Nefertiti, Nefertari and Hatchepsut are as well known today as they were in life. As the wives, mothers, or daughters of pharaohs, their influence on three thousand years of ancient Egyptian history is indisputable. This book offers a unique and heretofore unexplored insight into the key role they played and unveils the true nature of their political and spiritual influence, which was very different from the cliched portrayals most readers are familiar with. Some of the questions answered in this book include: What was the real status of the Egyptian queens? What was the status of second wives and concubines? What was their role in religious celebrations? What was their beauty regime?
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Campana, a businessman from Rome, formed one of the most important private collections of antiquities of the 19th century yet it has been little studied. This thesis examines Campana's private life, his role as patron of the arts, archaeologist and collector and his trial for fraud, ending in exile.
Indexes the Times and its supplements.
Cet ouvrage est une réédition numérique d’un livre paru au XXe siècle, désormais indisponible dans son format d’origine.
A five-volume scholarly catalogue of the rich collection of fifteenth-century southern Netherlandish paintings in the Royal Museums of Fine Arts of Belgium in Brussels. Each work is the subject of a thorough analysis covering technical, historical, iconographical and stylistic aspects. The catalogue contains colour reproductions of a