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Smith College
The newest title in the Princeton Architectural Press Campus Guide series takes readers on a tour of Smith College. Founded in 1871 as one of the first full-fledged colleges for women, Smith is known for its beautiful campus set in an idyllic New England landscape. A walk around its grounds is like a comprehensive tour through American architecture from the eighteenth century to the present. The campus includes such diverse buildings as Peabody & Stearn's Queen Anne-style College Hall; the neo-Georgian Quadrangle by Ames, Dodge and Putnam; Skidmore, Owings & Merrill's International Style Cutter and Ziskind houses; as well as the postmodern Bass Science Center and Young Science Library by Shepley, Bullfinch, Richardson, and Abbott. The university's most recent additions include the Brown Fine Arts Center, designed by the Polshek Partnership; the Olin Fitness Center, by Leers Weinzapfel Associates; and the Campus Center by Weiss/Manfredi.
Wives, Widows, Mistresses, and Nuns in Early Modern Italy
Through a visually oriented investigation of historical (in)visibility in early modern Italy, the essays in this volume recover those women - wives, widows, mistresses, the illegitimate - who have been erased from history in modern literature, rendered invisible or obscured by history or scholarship, as well as those who were overshadowed by male relatives, political accident, or spatial location. A multi-faceted invisibility of the individual and of the object is the thread that unites the chapters in this volume. Though some women chose to be invisible, for example the cloistered nun, these essays show that in fact, their voices are heard or seen through their commissions and their patrona...
An Architecture of Ineloquence
Set on a hillside near Cluny, in a region associated with religious institutions and sacred architecture (including Le Corbusier's La Tourette), Le Carmel de la Paix, designed by José Luis Sert, remains tranquilly unvisited and quietly erased from architectural history. Why? This unusual convent falls outside the standard categories of Sert's architecture and has been overlooked in most publications about his work. As J.K. Birksted explains, the design and construction process for this building proved nightmarish, resulting in a building which, at first sight, appears to be 'ineloquent'. This first detailed examination of this building shows how the convent and the story of its creation off...
Emotion, Ritual and Power in Europe, 1200–1920
This volume spans the fourteenth to nineteenth centuries, across Europe and its empires, and brings together historians, art historians, literary scholars and anthropologists to rethink medieval and early modern ritual. The study of rituals, when it is alert to the emotions which are woven into and through ritual activities, presents an opportunity to explore profoundly important questions about people’s relationships with others, their relationships with the divine, with power dynamics and importantly, with their concept of their own identity. Each chapter in this volume showcases the different approaches, theories and methodologies that can be used to explore emotions in historical rituals, but they all share the goal of answering the question of how emotions act within ritual to inform balances of power in its many and varied forms. Chapter 5 of this book is available open access under a CC BY 4.0 license.
Rethinking the Baroque
Rethinking the Baroque explores a tension. In recent years the idea of ?baroque? or ?the baroque? has been seized upon by scholars from a range of disciplines and the term ?baroque? has consequently been much in evidence in writings on contemporary culture, especially architecture and entertainment. Most of the scholars concerned have little knowledge of the art, literature, and history of the period usually associated with the baroque. A gulf has arisen. On the one hand, there are scholars who are deeply immersed in historical period, who shy away from abstraction, and who have remained often oblivious to the convulsions surrounding the term ?baroque?; on the other, there are theorists and ...
Exploring Cultural History
Melissa Calaresu is the McKendrick Lecturer in History at Gonville and Caius College, University of Cambridge, UK. Filippo de Vivo is Senior Lecturer in Early Modern History at Birkbeck College, University of London, UK. Joan-Pau Rubies is Reader in International History at the London School of Economics and Political Science, UK.
Art and Architecture in Naples, 1266 - 1713
Often overshadowed by the cities of Florence and Rome inart-historical literature, this volume argues for the importance ofNaples as an artistic and cultural centre, demonstrating thebreadth and wealth of artistic experience within the city. Generously illustrated with some illustrations specificallycommissioned for this book Questions the traditional definitions of 'cultural centres'which have led to the neglect of Naples as a centre of artisticimportance A significant addition to the English-language scholarship onart in Naples
Nuns
Cloistered and inaccessible 'brides of Christ'? Or socially engaged women, active in the outside world to a degree impossible for their secular sisters? Nuns tells the fascinating stories of the women who have lived in religious communities since the dawn of the modern age - their ideals and achievements, frustrations and failures, and their attempts to reach out to the society around them. Drawing particularly on the nuns' own words, Silvia Evangelisti explores how they came to the cloister, how they responded to monastic discipline, and how they pursued their spiritual, intellectual, and missionary activities. The book looks not only at the individual stories of outstanding historical figures such as Teresa of Avila but also at the wider picture of convent life - what it symbolized to contemporaries, how it reflected and related to the world beyond the cloister, and what it means in the world today.
The World of St. Francis of Assisi
The World of St. Francis of Assisi: Essays in Honor of William R. Cook seeks to enrich our collective understanding of the world in which Francis lived and the ways in which Francis, together with his followers, has shaped the world ever since. Composed of thirteen essays by scholars from diverse academic disciplines, The World of St. Francis of Assisi considers Francis’s legacy in art, literature, and spirituality, and many of the contributions to the volume focus on the perennial application of Francis’s insights to the ills of contemporary society. Contributors are Greg Ahlquist, William R. Cook, Alexandra Dodson, John K. Downey, Bradley R. Franco, John Hart, Ronald Herzman, Weston L. Kennison, Mary R. McHugh, Beth A. Mulvaney, Sara Ritchey and Daniel J. Schultz.
Silver
Silver: Transformational Matter presents essays by anthropologists, art historians, and historians which explore the history of silver, incorporating mining, trade, colonialism, and Indigenous expertise.
