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Edward and Jo Hopper first discovered Vermont in 1927, making day trips from the Whitney Studio Club's summer retreat for New York artists in Charlestown, New Hampshire. In 1935 and 1936 the Hoppers again traveled to Vermont, this time from their summer home in Cape Cod, in Edward's continuing search for new places to paint. During these quests they identified the White River and what Edward considered to be Vermont's "finest" river valley, and they returned there for longer visits in 1937 and 1938, boarding at Robert and Irene Slater's Wagon Wheels farm in South Royalton. These "vacations" were a change from the usual tempo of their lives, a break from the studio-bound easels, canvas, and o...
This is the first collection of key articles on the psychology behind educational attainment. It brings together in one volume for students a set of accessible but influential papers, representing the best classic and cutting edge work in the field.
This thought-provoking book highlights the increasing recognition of the prevalence of neurodisability within criminal justice systems, discussing conditions including intellectual, cognitive and behavioural impairments, fetal alcohol spectrum disorders and traumatic and acquired brain injury. International scholars and practitioners demonstrate the extent and complexity of the neurodisability experience and present practical solutions for criminal justice reform.
Valero shouted and pointed to the Police Station. 'For goodness sake Sergeant a policeman is in that ambulance dead. Get to the CID room find out properly what the boy saw.' Valero turned to his boss. 'I had a chat with him before he went off his shift. He was fine and looking forward to changes around here, it's bad sir, very bad.' 'I know Valero look over there at those coppers they are stunned as well at what has happened.' 'Yes sir but maybe it's the ones not here that we should note, the ones still behind a desk or round the corner having a fag.' 'Hold on Valero we know we've got some problems here but surely not a murderer.' 'You got here quickly sir ?'
Imagine stepping into a packed Australian pub in the mid-1970s and the late 1980s - the heyday of the pub-rock music scene - where the air was thick with the unmistakable scent of beer, sweat and pot, and the atmosphere was electrifying. Doc Neeson, charismatic lead singer of The Angels, famously captured this raw energy when he quipped, 'I know you're out there. I can smell you!' Australian pubs were then the epicentre of a musical revolution soundtracked by a heady mix of growling guitars, thumping bass, pounding drums and adoring fans. This golden era gave birth to some of the country's most iconic and beloved rock music - and Graham 'Buzz' Bidstrup was at the heart of it all. In No Secre...
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