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thersites is an international open access journal for innovative transdisciplinary classical studies edited by Annemarie Ambühl, Filippo Carlà-Uhink, Christian Rollinger and Christine Walde. thersites expands classical reception studies by publishing original scholarship free of charge and by reflecting on Greco-Roman antiquity as present phenomenon and diachronic culture that is part of today’s transcultural and highly diverse world. Antiquity, in our understanding, does not merely belong to the past, but is always experienced and engaged in the present. thersites contributes to the critical review on methods, theories, approaches and subjects in classical scholarship, which currently s...
This book focuses on the role that the Oxford classical curriculum has had in shaping Oscar Wilde’s aestheticism. It positions Wilde as a classically trained intellectual and outlines the path he took to gain recognition as a writer and promoter of the aesthetic movement. This narrative is conveyed through a broad range of literary sources, including Wilde’s travel poetry, American lectures, and canonical works like ‘The Critic as Artist’, The Soul of Man, The Picture of Dorian Gray and De Profundis. This study proposes that Wilde approached aestheticism as a personalised, self-directed learning experience – a mode of self-culture – which could be used to maintain an intellectual life outside of the university. It also explores Wilde’s thoughts on education and considers the significance of male friendship at Oxford, and in Wilde’s life and literature.
The Oxford Handbook of Oscar Wilde puts Wilde the Icon into an expansive literary and dramatic context. It offers a readable guide to Wilde studies for the early twenty-first century. Its chapters reflect Wilde's status as a queer writer while filling in the gaps that this focus have left and looking forward to the next generation of critical studies on Wilde. It is designed to appeal to students and those with a general interest in Wilde, as well as professional academics. Its comprehensive discussions of his writings show how these interact with, and transfigure, both their age and his life, while providing readers with clear and extensive suggestions on approaches to reading, thinking, an...
This is the first collection to look at the most recent manifestations of the ancient hero on screen. It brings together a range of perspectives on twenty-first century cinematic representations of heroes from the ancient world.Since 2000, numerous heroes of the ancient world have appeared on film and TV, from the mythical Hercules to leaders of the Greek and Roman worlds. Films and shows discussed in this volume range from Hercules and The Legend of Hercules to TV shows, Atlantis and Supernatural, to other biopic works influenced by the ancient hero.This book brings together a range of perspectives on twenty-first century cinematic representations of heroes and antiheroes from the ancient w...
A dynamic, scholarly engagement with Susanne Bier's work
Sex: Vice and Love from Antiquity to Modernity examines the impact that sexual fantasies about the classical world have had on modern Western culture. Offers a wealth of information on sex in the Greek and Roman world Correlates the study of classical sexuality with modern Western cultures Identifies key influential themes in the evolution of erotic discourse from antiquity to modernity Presents a serious and thought-provoking topic with great accessibility
Contributed papers presented at a conference organised in February-March, 2006 in New Delhi.
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Cinema loves Greece and Rome. Hollywood epics, animated movies, avant-garde features - all have turned to classical antiquity for inspiration. On the silver screen, we see a world of virtuous Christians, depraved pagans, gladiators, charioteers, Spartan warriors, and muscle-bound demigods - a potent mix of sex, violence and art. So pervasive are these images that this cinematic output dominates the public understanding of the ancient world. Through analysis of ten influential films, this book examines the representation of Greece and Rome in both popular and art-house cinema, arranged by cinematic genre. Key scenes are discussed and each film is located in its historical context.