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In Ancient Virtues and Vices in Modern Popular Culture, Eran Almagor and Lisa Maurice offer a comprehensive collection of chapters dealing with the reception of antiquity in popular media of the modern era (19th-21st centuries). These media include theatrical plays, cinematic representations, Television drama, popular newspapers or journals, poems and outdoor festivals. For the first time in Classical Reception Studies, ancient Jewish literature and imagery are included in the discussion. The focus of the volume is both the continuity and variance between ancient and modern sets of values, which appear in the new interpretations of the ancient stories, figures and protagonists.
The muscle-bound male body is a perennial feature of classically-inflected action cinema. This book reassesses these films as a cinematic form, focusing on the depiction of heroic masculinity. In particular, Hercules in his many incarnations has greatly influenced popular cultural interpretations of manliness and the exaggerated male form.
The charismatic Alexander the Great of Macedon (356–323 B.C.E.) was one of the most successful military commanders in history, conquering Asia Minor, Egypt, Persia, central Asia, and the lands beyond as far as Pakistan and India. Alexander has been, over the course of two millennia since his death at the age of thirty-two, the central figure in histories, legends, songs, novels, biographies, and, most recently, films. In 2004 director Oliver Stone’s epic film Alexander generated a renewed interest in Alexander the Great and his companions, surroundings, and accomplishments, but the critical response to the film offers a fascinating lesson in the contentious dialogue between historiograph...
No detailed description available for "Epic Heroes on Screen".
This book shows how Learning Development enhances the student experience and promotes active engagement. Written by staff from the UK's largest collaborative Centre for Excellence in Teaching and Learning (CETL), the book includes important insights for everyone interested in supporting student retention, progression and success.
A dynamic, scholarly engagement with Susanne Bier's work
Spiritus flat ubi vult academicus. It seems evident that the study of antiquity and the study of antiquity’s persistence will continue to be distributed ubique terrarum. This pleasing circumstance was exemplified in January 2014, at the Adam Mickiewicz University in Poznań, an institution named after Poland’s influential nineteenth-century epic and lyric poet. As part of an ongoing series of such academic meetings, the university hosted the Seventh International Conference on Fantasy and Wonder. Its topic was Antiquity in Popular Literature and Culture. Several of the papers given in Poznań appear in this volume in revised form. They demonstrate the continuing presence of the past, or, to put it slightly differently, the importance of the past in the present and, by extension, for the future.
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A fascinating commentary on how Hercules has been viewed, responded to, and assimilated into Western culture over the last two millennia.
Cinema loves Greece and Rome. Hollywood epics, animated movies, avant-garde features - all have turned to classical antiquity for inspiration. On the silver screen, we see a world of virtuous Christians, depraved pagans, gladiators, charioteers, Spartan warriors, and muscle-bound demigods - a potent mix of sex, violence and art. So pervasive are these images that this cinematic output dominates the public understanding of the ancient world. Through analysis of ten influential films, this book examines the representation of Greece and Rome in both popular and art-house cinema, arranged by cinematic genre. Key scenes are discussed and each film is located in its historical context.