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I am no good at letters. John McGahern, 1963 John McGahern is consistently hailed as one of the finest Irish writers since James Joyce and Samuel Beckett.This volume collects some of the witty, profound and unfailingly brilliant letters that he exchanged with family, friends and literary luminaries - such as Seamus Heaney, Colm Tóibín and Paul Muldoon - over the course of a well-travelled life. It is one of the major contributions to the study of Irish and British literature of the past thirty years, acting not just as a crucial insight into the life and works of a much-revered writer - but also a history of post-war Irish literature and its close ties to British and American literary life. 'One of the greatest writers of our era.' Hilary Mantel 'McGahern brings us that tonic gift of the best fiction, the sense of truth - the sense of transparency that permits us to see imaginary lives more clearly than we see our own.' John Updike
The Real Ireland is the first study of Irish documentary film, but more than that, it is a study of Ireland itself--of how the idea of Ireland evolved throughout the twentieth century and how documentary cinema both recorded and participated in the process of change. More than just a film studies work, it is a discussion of history, politics and culture, which also explores the philosophical roots of the documentary idea, and how this idea informs concepts of society, self and nation. It features rare and previously unseen illustrations and a detailed documentary filmography, the first of its kind in print anywhere.
Irish literature's roots have been traced to the 7th-9th century. This is a rich and hardy literature starting with descriptions of the brave deeds of kings, saints and other heroes. These were followed by generous veins of religious, historical, genealogical, scientific and other works. The development of prose, poetry and drama raced along with the times. Modern, well-known Irish writers include: William Yeats, James Joyce, Sean Casey, George Bernard Shaw, Oscar Wilde, John Synge and Samuel Beckett.
Richard Avedon was arguably the world’s most famous photographer – as artistically influential as he was commercially successful. Over six richly productive decades, he created landmark advertising campaigns, iconic fashion photographs (as the star photographer for Harper’s Bazaar and then Vogue), groundbreaking books and unforgettable portraits of everyone who was anyone. He also went on the road to find and photograph remarkable uncelebrated faces, with an eye toward constructing a grand composite picture of America. Avedon dazzled even his most dazzling subjects. He possessed a mystique so unique it was itself a kind of genius – everyone fell under his spell. But the Richard Avedo...
In the 1930s and 1940s, London was a metropolis of artistic exile and a place of refuge from Nazi persecution. London Exile is the first book to look at the British capital as a sanctuary for modern artists. The city presented its new arrivals with opportunities and challenges: exiles established galleries, founded publishing houses and magazines, collaborated with local artists, organised exhibitions, published their work, and built networks. Artistic and theoretical production flourished in close dialogue with urban space. This volume sheds light on how the arrival of exiles transformed London’s art scene and, conversely, how the experience of displacement and the city shaped the work of émigrés in fields such as art, architecture, and photography. London Exile brings art history, urban studies, and exile studies into a vibrant dialogue and contributes to a new understanding of the history of modern art.
This collection offers a multi-faceted investigation of the critical issue of the creation and place of the “Other” in Ireland. The extraordinarily rapid recent economic development of Ireland has effected a profound transformation in the island’s social and cultural life. In the process, old verities and assumptions concerning the nature of Irish society and culture have been called into question, with a whole variety of new challenges coming to light. The developments of the last two decades have transformed questions of what and who constitutes the “Other” within Irish society, but in the process older societal faultlines based on gender, disability and religious difference have...
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