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Unwanted Beauty
Controversial questions about beauty in artistic depictions of the Holocaust
Contemporary Europe in the Historical Imagination
George L. Mosse (1918-99) was one of the most influential cultural and intellectual historians of modern Europe. In Contemporary Europe in the Historical Imagination, an international assembly of leading scholars explore Mosse's enduring methodologies in German studies and modern European cultural history. Considering Mosse's life and work historically and critically, the book begins with his intellectual biography and goes on to reread his writings in light of historical developments since his death, and to use, extend, and contend with Mosse's legacy in new contexts he may not have addressed or even foreseen. The volume wrestles with intertwined questions that continue to emerge from Mosse...
Expeditions as Experiments
This collection focuses on different expeditions and their role in the process of knowledge acquisition from the eighteenth century onwards. It investigates various forms of scientific practice conducted during, after and before expeditions, and it places this discussion into the scientific context of experiments. In treating expeditions as experiments in a heuristic sense, we also propose that the expedition is a variation on the laboratory in which different practices can be conducted and where the transformation of uncertain into certain knowledge is tested. The experimental positioning of the expedition brings together an ensemble of techniques, strategies, material agents and social actors, and illuminates the steps leading from observation to facts and documentation. The chapters show the variety of scientific interests that motivated expeditions with their focus on natural history, geology, ichthyology, botany, zoology, helminthology, speleology, physical anthropology, oceanography, meteorology and magnetism.
Genocide
The twentieth century has been called, not inaccurately, a century of genocide. And the beginning of the twenty-first century has seen little change, with genocidal violence in Darfur, Congo, Sri Lanka, and Syria. Why is genocide so widespread, and so difficult to stop, across societies that differ so much culturally, technologically, and politically? That's the question that this collection addresses, gathering a stellar roster of contributors to offer a range of perspectives from different disciplines to attempt to understand the pervasiveness of genocidal violence. Challenging outdated beliefs and conventions that continue to influence our understanding, Genocide constitutes a major contribution to the scholarship on mass violence.
Prisms of Work
The phenomenon of labour takes the character of a prism. Labour is thereby always context dependent and constituted through the actions of all protagonists involved in any labour relationship. On the basis of three case studies in colonial German East Africa – the construction of the Central Railway (1905–1916), the Otto Plantation in Kilossa (1907–1916) and the palaeontological Tendaguru Expedition (1909–1911) – labour and labour relations are analysed. The focus lies on hitherto neglected actors and groups of actors of labour in the colonial context of East Africa. These were especially German companies and their staff, white subaltern railway sub-contractors and labour recruiter...
Film and the Holocaust
When representing the Holocaust, the slightest hint of narrative embellishment strikes contemporary audiences as somehow a violation against those who suffered under the Nazis. This anxiety is, at least in part, rooted in Theodor Adorno's dictum that "To write poetry after Auschwitz is barbaric." And despite the fact that he later reversed his position, the conservative opposition to all "artistic" representations of the Holocaust remains powerful, leading to the insistent demand that it be represented, as it really was. And yet, whether it's the girl in the red dress or a German soldier belting out Bach on a piano during the purge of the ghetto in Schindler's List, or the use of tracking shots in the documentaries Shoah and Night and Fog, all genres invent or otherwise embellish the narrative to locate meaning in an event that we commonly refer to as "unimaginable." This wide-ranging book surveys and discusses the ways in which the Holocaust has been represented in cinema, covering a deep cross-section of both national cinemas and genres.
Women and Nazis
War atrocities cannot be segregated by gender and gender cannot be ignored when analyzing the crimes that culminated in the Third Reich's attempt to eradicate European Jewry and other ¿suspect¿ nationalities and ethnic groups such as the Roma. Despite the Nazis masculine-oriented policies towards Aryan German women many women sought ways to become involved in Hitler's party and government. Professor Sarti's remarkable research discusses the women who not only agreed with the Nazi Weltanschauung but took an active part in mass genocide. Scholarship has tended to fundementally overlook or dismiss the actions of this group; Sarti brings then to the fore of her remarkable investigation into th...
Rezensionen zu 'Jud Süß - Film ohne Gewissen'
Studienarbeit aus dem Jahr 2010 im Fachbereich Frauenstudien / Gender-Forschung, Note: 1,0, Humboldt-Universität zu Berlin, Veranstaltung: Männlichkeitskonstruktionen im Nationalsozialismus, Sprache: Deutsch, Abstract: Der Film "Jud Süß" von 1940 gilt als "wirkungsmächtigster antisemitischer Hetzfilm des NS-Regimes"und kann für die heutige Rezeption als "weitgehend unsichtbarer 'Verdiktfilm'" angesehen werden, der nur unter begleitetender Aufsicht gezeigt werden darf. Dieser seit Ende der NS-Herrschaft bestehende Umstand hat eine gewisse Änderung erfahren, denn auf der Berlinale 2010 feierte "Jud Süß - Film ohne Gewissen" (Im Folgenden: "Film ohne Gewissen") Premiere. Dieser Film ze...
Holocaust Poetry
Under the umbrella term ' Holocaust poetry', this book argues that distinctions need to be made between the writing of Holocaust survivors and those who were not involved in the events of 1933 to 1945. This study focuses on the post-Holocaust writers.
