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Masters and Slaves
This collection of essays sheds light on the writings of leading figures in the history of political philosophy by exploring a nexus of questions concerning mastery and slavery in the human soul. To this end, Masters and Slaves elucidates archetypal human alternatives in their import for political life: the philosopher and king; the lover of wisdom and the lover of glory; the king and the tyrant; and finally, the master and the slave. Palmer re-examines these ideas as a framework for achieving a deeper understanding of the work of famous thinkers--from the ancient to modern times--including Thucydides, Plato, Aristotle, Machiavelli, Hobbes, and Rousseau. As well, the book addresses distinctions between the 'ancients' and the 'moderns, ' and touches on the work of contemporary theorists such as Leo Strauss, George Parkin Grant, and Allan Bloom.
Exorcism and Its Texts
In Exorcism and Its Texts, Hilaire Kallendorf demonstrates how this 'infection' was represented in some thirty works of literature by fifteen different authors, ranging from canonical classics to obscure works by anonymous writers.
Niccolò Machiavelli's The Prince
No text has attracted more controversy over the centuries than Machiavelli's The Prince. Placed on the Index of Prohibited Books by the Catholic Church in 1599, The Prince nevertheless proved to be the means by which Machiavelli came to be known throughout Europe, establishing his name as a byword for the cunning and unscrupulous politician. Written as the medieval world was giving way to the new dynamic of renaissance capitalism, The Prince embodies a whole series of vital issues that affect our understanding of modern politics, including power and morality, history and human nature, language and meaning, gender and government. It is these issues which the essays in this volume debate and explore from a variety of perspectives, from the original responses to The Prince through to feminist and deconstructive approaches. The result is a volume packed with ideas and insights. With contributions by international scholars and critics, a chronological table and select bibliography, this is an essential guide for anyone studying Machiavelli.
Rethinking Medieval and Renaissance Political Thought
This collection of essays, written by leading experts, showcases historiographical problems, fresh interpretations, and new debates in medieval and Renaissance history and political thought. Recent scholarship on medieval and Renaissance political thought is witness to tectonic movements. These involve quiet, yet considerable, re-evaluations of key thinkers such as Thomas Aquinas and Machiavelli, as well as the string of lesser known "political thinkers" who wrote in western Europe between Late Antiquity and the Reformation. Taking stock of thirty years of developments, this volume demonstrates the contemporary vibrancy of the history of medieval and Renaissance political thought. By both ce...
The Space of the Stage
This text is an annual publication devoted to understanding drama as a central feature of Renaissance culture. The essays in each volume explore the relationship of Renaissance dramatic traditions to their precursors and successors, have an interdisciplinary orientation and examine the impact of new forms of interpretation on the study of Renaissance plays. A special issue entitled The Space of the Stage, Volume 28 of Renaissance Drama, includes essays that explore the centrality of notions of space to early modern theatrical literature and practice. These diverse essays provide a set of new critical frames and horizons in which to reevaluate questions on staging, versification, the global market, the female body, and even the Globe rebuilt in 20th-century Chicago.
Sins of the Fathers
Sins of the Fathers considers sins as nodes of cultural anxiety and explores the tensions between competing organizational categories for moral thought and behaviours, namely the Seven Deadly Sins and the Ten Commandments. Hilaire Kallendorf explores the decline and rise of these organizational categories against critical transformations of the early modern period, such as the accession of Spain to a position of world dominance and the arrival of a new courtly culture to replace an old warrior ethos. This ground-breaking study is the first to consider Spanish Golden Age comedias as an archive of moral knowledge. Kallendorf has examined over 800 of these plays to illustrate how they provide insight into aspects of early modern experience such as food, sex, work, and money. Finally, Kallendorf engages the theoretical terminology of Marxist literary criticism to demonstrate the inherent ambiguity of cultural change.
