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Containing these poems which the author most wants to preserve, this volume summarizes the career to date of the man who has been called "the father of modern black poetry." It confirms Amiri Baraka as one of the major figures of contemporary American poetry.
Amiri Baraka, formerly known as LeRoi Jones, became known as one of the most militant, anti-white black nationalists of the 1960s Black Power movement. An advocate of Black Cultural Nationalism, Baraka supported the rejection of all things white and western. He helped found and direct the influential Black Arts movement which sought to move black writers away from western aesthetic sensibilities and toward a more complete embrace of the black world. Except perhaps for James Baldwin, no single figure has had more of an impact on black intellectual and artistic life during the last forty years. In this groundbreaking and comprehensive study, the first to interweave Baraka's art and political a...
Here, for the first time, a major African-American writer gathers in one volume the eulogies he has written and spoken, in poetry and prose, over the last 30 years. Eulogies shows Amiri Baraka's writing at its most personal and profound; the solemnity of his subject matter leads Baraka to meditate on matters both political and spiritual, to examine the status of African-Americans in the United States and ultimately to reflect on the nature of life and death.
An intergenerational collection of writing from poets, dramatists, musicians, educators, historians and cultural workers and theorists examining the work and influence of Amiri Baraka.
A Study Guide for Amiri Baraka's "Slave Ship," excerpted from Gale's acclaimed Drama For Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Drama For Students for all of your research needs.
Poet and playwright Amiri Baraka is best known as one of the African American writers who helped ignite the Black Arts Movement. This book examines Baraka’s cultural approach to Black Power politics and explores his role in the phenomenal spread of black nationalism in the urban centers of late-twentieth-century America, including his part in the election of black public officials, his leadership in the Modern Black Convention Movement, and his work in housing and community development. Komozi Woodard traces Baraka’s transformation from poet to political activist, as the rise of the Black Arts Movement pulled him from political obscurity in the Beat circles of Greenwich Village, swept hi...
Including6 Persons, a previously unpublished novel; The System of Dante's Hell; and Tales, this collection also features four uncollected short stories.
This prose-poem styled memoir of poet, novelist, playwright and black activist delineates the politics and the personal drama of the man who has dared face injustice with violence and flaunted his pride in black chauvinism. Chronicling the first forty years of his life, the book tells how Jones/Baraka comes into being from his middle-class roots in Newark, and how his journey through Howard University, the Air Force, beat Greenwich Village, incendiary Harlem, polemic Newark and the caverns of his own heart dictated his reaction to a racist society and etched the nuances of his soul. His testimony is an unreplicable view of the recent struggles of black Americans and the society which they have confronted. ISBN 0-88191-000-7 : $16.95.
The Inside Songs of Amiri Baraka examines the full length of Baraka’s discography as a poet recording with musicians as well as his contributions to jazz and R & B, beginning with his earliest studio recordings in 1965 and continuing to the last year of his life, 2014. This recorded history traces his evolution from the era of Beat poetry and “projective verse,” through the period of the Black Arts Movement and cultural nationalism, and on to his commitments to “third world Marxism,” which characterized the last decades of his life. The music enfolding Baraka’s recitations ranges from traditional African drumming, to doo wop, rhythm and blues, soul and the avant garde jazz that was his great love and the subject of so much of his writing, and includes both in-studio sessions and live concert performances. This body of work offers a rare opportunity to think about not only jazz/poetry, but the poet in the recording studio and the relations of text to score.
Amiri Baraka-dramatist, poet, essayist, orator, & fiction writer-is perhaps the preeminent African-American literary figure of our time. Yet, until now, it has been impossible to find the full range of his work represented in one volume. The LeRoi Jones/Amiri Baraka Reader provides the most comprehensive selection of Baraka's work to date, spanning more than thirty years of a brilliant, prolific, & controversial career in which he has produced a dozen books of poetry, twenty-six plays, eight collections of essays & speeches, & two books of fiction. This essential anthology also contains previously unpublished work-including essays on Jesse Jackson & James Baldwin-as well as a chronology & a full bibliography. The LeRoi Jones/Amiri Baraka Reader includes poems from Preface to a Twenty Volume Suicide Note, The Dead Lecturer, Black Magic, Hard Facts, It's Nation Time, & Poetry for the Advanced; the plays Dutchman, Great Goodness of Life, & What Was the Relationship of the Lone Ranger to the Means of Production?; essays from Blues People, Social Essays, Black Music, Daggers & Javelins, & The Music: Reflections on Jazz & Blues; & much, much more.