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Crime and Fantasy in Scandinavia
The Tsimshian people of coastal British Columbia use a system of hereditary name-titles in which names are treated as objects of inheritable wealth. Human agency and social status reside in names rather than in the individuals who hold these names, and the politics of succession associated with names and name-taking rituals have been, and continue to be, at the center of Tsimshian life.
The Bible in Crime Fiction and Drama
The Bible has always enjoyed notoriety within the genres of crime fiction and drama; numerous authors have explicitly drawn on biblical traditions as thematic foci to explore social anxieties about violence, religion, and the search for justice and truth. The Bible in Crime Fiction and Drama brings together a multi-disciplinary scholarship from the fields of biblical interpretation, literary criticism, criminology, and studies in film and television to discuss international texts and media spanning the beginning of the 20th century to the present day. The volume concludes with an afterword by crime writer and academic, Liam McIvanney. These essays explore both explicit and implicit engagemen...
Noir in the North
What is often termed 'Nordic Noir' has dominated detective fiction, film and television internationally for over two decades. But what are the parameters of this genre, both historically and geographically? What is noirish and what is northern about Nordic noir? The foreword and coda in this volume, by two internationally-bestselling writers of crime fiction in the north, Yrsa Sigurðardóttir and Gunnar Staalesen, speak to the social contract undertaken by writers of noir, while the interview with the renowned crime writer Val McDermid adds nuance to our understanding of what it is to write noir in the North. Divided into four sections – Gender and Sexuality, Space and Place, Politics and Crime, and Genre and Genealogy – Noir in the North challenges the traditional critical histories of noir by investigating how it functions transnationally beyond the geographical borders of Scandinavia. The essays in this book deepen our critical understanding of noir more generally by demonstrating, for example, Nordic noir's connection to fin-de-siècle literatures and to mid-century interior design, and by investigating the function of the state in crime fiction.
The Predicament of Privilege
Is privilege a problem? Scandinavians ask, Is this okay?--and wrestle with the answer A twenty-first century paradox has emerged in contemporary Scandinavian societies: the region's deeply ingrained egalitarian ideals exist uneasily alongside its undeniable global privilege. In The Predicament of Privilege, Devika Sharma examines this tension, exploring how a well-intentioned desire to "do good" collides with an unsettling realization: the very structures that enable ethical consumption, charitable donations, and humanitarian action are themselves embedded in a system of exploitation. Through an incisive analysis of contemporary Scandinavian cultural texts, The Predicament of Privilege intro...
Scandinavian Crime Fiction
This collection of articles studies the development of crime fiction in Denmark, Finland, Iceland, Norway and Sweden since the 1960s, offering the first English-language study of this widely read and influential form. Since the first Martin-Beck novel of Maj Sjowall and Per Wahloo appeared in 1965, the socially-critical crime novel has figured prominently in Scandinavian culture, and found hundreds of millions of readers outside Scandinavia. But is there truly a Scandinavian crime novel tradition? Scandinavian Crime Fiction identifies distinct features and changes in the Scandinavian crime tradition through analysis of some of its most well-known writers: Henning Mankell, Stieg Larsson, Anne...
Scandinavian Review
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The Cinema of Aki Kaurismäki
Aki Kaurismäki is an enigma, an eminent auteur who claims his films are a joke. Since 1983, Kaurismäki has produced classically-styled films filled with cinephilic references to film history. He has earned an international art-house audience and many prizes, influencing such directors as Jim Jarmusch, Quentin Tarantino, and Wes Anderson. Yet Kaurismäki is often depicted as the loneliest, most nostalgic of Finns (except when he promotes his films, makes political statements, and runs his many businesses). He is also depicted as a bohemian known for outlandish actions and statements. The Cinema of Aki Kaurismäki is the first comprehensive English-language study of this eccentric director. Drawing on revisionist approaches to film authorship, the text links the filmmaker and his films to the stories and issues animating film aesthetics and history, nostalgia, late modernity, politics, commerce, film festivals, and national cinema.
The Not-Quite Child
Examines Swedish depictions of childhood that expose the country's colonial past and racial hierarchies Figures like Pippi Longstocking and Greta Thunberg exemplify an ideal mainstream Swedish childhood: they are autonomous, competent, and the voices of moral truths. In this innovative work, Liina-Ly Roos analyzes the figure of the “not-quite child”—children who, while appearing white, have been marginalized due to historical racialization and colonialism—to challenge this established ideal. Through analyses of films and literature that portray Indigenous Sámi, Tornedalian, and Finnish-speaking children, The Not-Quite Child reveals how these figures disrupt the normative understandi...
Munch's Ibsen
This is the first comprehensive scholarly and critical account of the relation between the two great Norwegian modernists Edvard Munch and Henrik Ibsen. Drawing on Norwegian social and cultural history, Munch's extensive unpublished writings, and the interlocking careers of Munch and Ibsen, Joan Templeton demonstrates Ibsen's primordial importance for Munch as a pioneering modernist voice. Munch made more than 400 illustrations of Ibsen's plays, one of the greatest homages a painter ever made to a writer. In addition to locating these illustrations in Munch's life and work as a whole, Templeton also studies them as depictions of Ibsen's plays.
