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The Doctor-Patient Relationship and the Nineteenth-Century French Novel
The Doctor-Patient Relationship and the Nineteenth-Century French Novel analyses the representation of the doctor-patient relationship in the nineteenth-century French novel, notably in the words of Balzac, Sand, Stendhal, and Zola. It argues that the doctor-patient relationship is represented in these novels as a site of interpersonal negotiation wherein the meaning of medical authority, embodied experience, and the spectre of illness and pain are mediated and reimagined. This book highlights how the doctor-patient relationship is often idealized by the novel, wherein the doctor is characterised as a both dedicated to his patients and local community, as well as being a God-like master of l...
The Bloomsbury Handbook to Literature and Psychoanalysis
Providing the most comprehensive examination of the two-way traffic between literature and psychoanalysis to date, this handbook looks at how each defines the other as well as addressing the key thinkers in psychoanalytic theory (Freud, Klein, Lacan, and the schools of thought each of these has generated). It examines the debts that these psychoanalytic traditions have to literature, and offers plentiful case-studies of literature's influence from psychoanalysis. Engaging with critical issues such as madness, memory, and colonialism, with reference to texts from authors as diverse as Shakespeare, Goethe, and Virginia Woolf, this collection is admirably broad in its scope and wide-ranging in its geographical coverage. It thinks about the impact of psychoanalysis in a wide variety of literatures as well as in film, and critical and cultural theory.
Mourning Films
The first in-depth study of its subject, this book seeks to account for a type of modernist film that revolves around bereavement. Identifying the roots of the genre in classical melodrama and horror cinema, and tracing perennial themes and aesthetic devices through to the European and American "intellectual melodramas" of the postwar decades, the book provides a taxonomy of characteristics. In the course of detailed case studies, the book deploys the film theory of Gilles Deleuze and Daniel Frampton while making use of Freudian psychoanalysis and present-day grief counseling theory. In making its case for the new genre, the book reflects upon the ways in which the very notion of genre has, in the post-classical period, responded to changing exhibition patterns, the rise of domestic spectatorship and the proliferation of Web-based film literature.
Mode of Action, Metabolism and Toxicology
Pesticide Chemistry: Human Welfare and the Environment, Volume 3: Mode of Action, Metabolism and Toxicology covers the proceeding of the Fifth International Congress of Pesticide Chemistry. This book is organized into three parts that tackle relevant issues regarding the use of pesticide. The opening part tackles topics relevant to the biochemistry of pests and mode of action of pesticides, such as influence of chlorinated and parathyroid insecticide on cellular calcium regulatory mechanisms; behavioral and lethal actions of amidines on invertebrates; and insect chitin synthetase as biochemical probe for insecticidal compounds. The second part encompasses metabolism and degradation of pestic...
Masks and Faces
Focusing on masks and faces as figures and objects that carry ethical and political meanings, this volume examines the scientific, cultural, visual, and philosophical histories and traditions in which they are imbricated and which allow them to gather force and to become central to how human relationships are made. Offering interdisciplinary and multidisciplinary perspectives on masks and faces, the book studies the prominent role they play in shaping ideals and norms of political personhood; their deployment as evidence in the creation of racist hierarchies; and their role in demarcating the human and non-human. Through historical and theoretical analyses of different case studies from arou...
Filming Death
End-of-life documentaries have proliferated in the 21st century as various organisations, institutions, journalists, independent filmmakers, and members of the public have wanted to give death and dying a face in the public discussion. Each documentary film that concerns individuals with a terminal illness, in hospice care, or desiring assisted death, redefines cultural expectations of what dying is and feels like. These films invite their viewers to witness intimate and emotional moments of dying people, including moments on their deathbed. Filming Death explores these documentaries as ethical spaces, asking the viewers to learn how to engage with end-of-life through the experiences of others and to find ways to alleviate potential death anxiety. The book argues that the diversity of documentary films resists simplified moral divisions between good and bad death, and instead, embellishes diverse realities where dying takes many forms, ranging from death acceptance to raging to death.
The Proustian Mind
When Marcel Proust started to work on In Search of Lost Time in 1908, he wrote this question in his notebook: ‘Should I make it a novel, a philosophical study, am I a novelist?’ Throughout his famous multi-volume work, Proust directly engages several philosophers, and few novels are as thoroughly saturated with philosophical themes and concepts as In Search of Lost Time. The Proustian Mind is an outstanding reference source to the rich philosophical range of Proust’s work and the first major volume of its kind. Including 31 chapters by an international team of contributors, the volume is divided into seven clear parts: Proust’s life and works metaphysics and epistemology mind and lan...
