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The monograph deals with the topic of ghosts in universal literature from a polyhedral perspective, making use of different perspectives, all of which highlight the resilience of these figures from the very beginning of literature up to the present day. Therefore, the aim of this volume is to focus on how ghosts have been translated and transformed over the years within literature written in the following languages: Classical Greek and Latin, Spanish, Italian, and English.
This volume is the fruit of a highly productive international research gathering academic and professional (field- and museum) colleagues to discuss new results and approaches, recent finds and alternative theoretical assessments of the period of transition and transformation of classical towns in Late Antiquity. Experts from an array of modern countries attended and presented to help compare and contrast critically archaeologies of diverse regions and to debate the qualities of the archaeology and the current modes of study. While a number of papers inevitably focused on evidence available for both Spain and Portugal, we were delighted to have a spread of contributions that extended the picture to other territories in the Late Roman West and Mediterranean. The emphasis was very much on the images presented by archaeology (rescue and research works, recent and past), but textual data were also brought into play by various contributors.
As demand for natural resources increases due to the rise in world population and living standards, conflicts over their access and control are becoming more prevalent. This book critically assesses different approaches to and conceptualizations of resource fairness and justice and applies them to the analysis of resource conflicts. Approaches addressed include cosmopolitan liberalism, political economy and political ecology. These are applied at various scales (local, national, international) and to initiatives and instruments in public and private resource governance, such as corporate social responsibility instruments, certification schemes, international law and commodity markets. In doi...
This groundbreaking volume presents, for the first time in English, a broad historical review of the researches carried out over 170 years in the region of Lagoa Santa, Brazil, one of the most important archaeological regions in the Americas. From the pioneering work of the Danish naturalist Peter Lund in the XIX century to the recent research on the dispersion of early humans across South America, led by Walter A. Neves and colleagues, Lagoa Santa has offered remarkable findings, the largest collections of early human skeletons in the Americas, and has contributed to the overall discussions about the settlement of the Americas. This edited volume aims to fill the lack of publications in Eng...
Dada: The Collections of The Museum of Modern Art is the first publication devoted exclusively to MoMA's unrivalled collection of Dada works. Beginning with a core group acquired on the occasion of the landmark Fantastic Art, Dada and Surrealism exhibition of 1936, enriched in 1953 by a bequest selected by Marcel Duchamp, and steadily augmented over the years, the Museum's Dada collection presents the movement in its full international and interdisciplinary scope during its defining years, from 1916 through 1924. Catalyzed by the major Dada exhibition that appeared in Paris, Washington, D.C., and at The Museum of Modern Art in 2005-6, the book benefits from the latest scholarly thinking, not...
The Building Studies series examines important buildings through original documents, detailed text, photography, and drawings in an affordable format.
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Edited by Leah Dickerman. Essays by Brigid Doherty, Sabine T. Kriebel, Dorothea Dietrich, Michael R. Taylor, Janine Mileaf and Matthew S. Witkovsky. Foreword by Earl A. Powell III.
Adamczewska, Joanna ; Baldessari, John ; Beckmann, Max ; Below, Peter ; Bonato, Victor ; Botond ; Brouwn, Stanley ; Buren, Daniel ; Byars, James Lee ; de Campos, Augusto ; Caramelle, Ernst ; Chagall, Marc ; Chillida, Eduardo ; Christo ; Darboven, Hanne ; Dali, Salvador ; Dine, Jim ; Dubuffet, Jean ; Duchamp, Marcel ; Ernst, Max ; Feldmann, Hans-Peter ; Filonov, Pavel ; Francis, Sam ; Galantai, Gyorgy ; Gerz, Jochen ; Gojowczyk, Hubertus ; Gomringer, Eugen ; Goncharova, Natalia ; Graubner, Gotthard ; Hainke, Wolfgang ; Hellinger, Horst ; Holweck, Oskar ; Johns, Jasper ; Kamenskij, Vasilij ; Kirschner, Wulf ; Kubach, Wolfgang ; Kubach-Wilmsen, Anna Maria ; Kul'bin, Nikolaj Ivanovitc ; Lakner, ...
Launches an eight-volume series on the rebellious art form created during World War I by artists and writers in Zurich reacting to the horror of war, the onslaught of new technology, and the stifling aesthetics of futurism and cubism. In 11 essays, provides parameters for the historical and sociological context of the movement; its manifestation in visual arts, theater, the media, and literature; the correspondence between the actual works and the various manifestos; and the relevance of studying the phenomenon to present concerns. Illustrated in black and white. Annotation copyrighted by Book News, Inc., Portland, OR.