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African American Culture and Legal Discourse
This work examines the experiences of African Americans under the law and how African American culture has fostered a rich tradition of legal criticism. Moving between novels, music, and visual culture, the essays present race as a significant factor within legal discourse. Essays examine rights and sovereignty, violence and the law, and cultural ownership through the lens of African American culture. The volume argues that law must understand the effects of particular decisions and doctrines on African American life and culture and explores the ways in which African American cultural production has been largely centered on a critique of law.
The Scandal of White Complicity in US Hyper-incarceration
The Scandal of White Complicity and US Hyper-incarceration is a groundbreaking exploration of the moral role of white people in the disproportionate incarceration of African-Americans and Latinos in the United States.
The Soul of Hip Hop
What is Hip Hop? Hip hop speaks in a voice that is sometimes gruff, sometimes enraged, sometimes despairing, sometimes hopeful. Hip hop is the voice of forgotten streets laying claim to the high life of rims and timbs and threads and bling. Hip hop speaks in the muddled language of would-be prophets--mocking the architects of the status quo and stumbling in the dark toward a blurred vision of a world made right. What is hip hop? It's a cultural movement with a traceable theological center. Daniel White Hodge follows the tracks of hip-hop theology and offers a path from its center to the cross, where Jesus speaks truth.
Hip-Hop in Europe
This is the first collection of essays to take a pan-European perspective in the study of hip-hop. How has it traveled to Europe? How has it developed in the various cultural contexts? How does it reference the American cultures of origin? The book's 21 authors and artists provide a comprehensive overview of hip-hop cultures in Europe, from the fringes to the centers. They address hip-hop in a variety of contexts, such as class, ethnicity, gender, history, pedagogy, performance, and (post-) communism. (Series: Transnational and Transatlantic American Studies - Vol. 13)
Destructive Desires
Despite rhythm and blues culture’s undeniable role in molding, reflecting, and reshaping black cultural production, consciousness, and politics, it has yet to receive the serious scholarly examination it deserves. Destructive Desires corrects this omission by analyzing how post-Civil Rights era rhythm and blues culture articulates competing and conflicting political, social, familial, and economic desires within and for African American communities. As an important form of black cultural production, rhythm and blues music helps us to understand black political and cultural desires and longings in light of neo-liberalism’s increased codification in America’s racial politics and policies since the 1970s. Robert J. Patterson provides a thorough analysis of four artists—Kenneth “Babyface” Edmonds, Adina Howard, Whitney Houston, and Toni Braxton—to examine black cultural longings by demonstrating how our reading of specific moments in their lives, careers, and performances serve as metacommentaries for broader issues in black culture and politics.
Excavating the Historical Memory of the American Revolution
In this book, Shawn Thomson excavates Charles Anthon's personal notes to reveal revolutionary memory and the presence of historical melancholy in this era of radical turnover and shifting alliances. In these notes, Charles Anthon recorded his personal inquiries into all aspects of life in the Loyalist stronghold of Staten Island from October 13, 1850 to January 8, 1853. Through this written record, Anthon provides a counter history of the Loyalists of Staten Island to the grand narrative of the Patriots of the American Revolution. Through a close reading of Anthon's notes, Shawn Thomson examines how these personal records and historical research hold the places, ruins, artifacts, and, most significantly, the collective and personal memory of Staten Island Loyalists and New Jersey Whigs. Through this close reading, Thomson highlights the indelible link between landscape and memory and offers the reader a sense of the Loyalist melancholy of their abandonment on the day of the British evacuation.
Hip-hop Revolution
As hip-hop artists constantly struggle to "keep it real," this fascinating study examines the debates over the core codes of hip-hop authenticity--as it reflects and reacts to problematic black images in popular culture--placing hip-hop in its proper cultural, political, and social contexts.
Annual Report of the Bureau of Labor Statistics of the State of North Carolina
Vols. for 11th-12th, 1897-98 include 1st-2nd reports of the Inspector of Mines.
