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Arnold Wesker
The only collection of essays on one of Britain's Angry Young Men, this book contains discussions of most of Wesker's published plays with an emphasis on the more recent works. Essays reevaluate the plays that made Wesker a household name in Britain (the Trilogy, TheKitchen , and Chips with Everything). Clive Barker, co-director of Centre 42, gives a fresh account of that movement, and playwright Paul Levitt provides a previously unrecorded history of Caritas, Blood Libel,and Shylock. A personal profile of Wesker by novelist Margaret Drabble is reprinted from an earlier article. Original essays cover the theory and practice of theatre-Wesker's in-text stage directions, British television's a...
Arnold Wesker
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Arnold Wesker
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Ambivalences
Ambivalences: A Portrait of Arnold Wesker from A to W is a document of Arnold Wesker in conversation with the Italian academic Chiara Montenero. In their wide-ranging discussions, Wesker and Montenero address his ideas on art and drama with a particular focus on some of his most enduring characters. Betraying his reputation as theatre’s ‘perennial outsider’, Ambivalences finds Wesker in generous and engaging form, offering a rich and unique insight into the mind of one of the key figures in 20th-century drama.
Arnold Wesker Revisited
Dornan argues that Wesker has found his voice as a humanist, as a champion of individual rights and human values, while defending the causes of the dispossessed, and that it is not his political alignment so much as a Jewish humanist philosophy that shapes his thoughts.
Arnold Wesker
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British Playwrights, 1956-1995
The year 1956 marked a point when British drama and theater fell into the hands of a group of young playwrights who revolutionized the stage. During that time, playwrights such as Samuel Beckett and Harold Pinter made the British theater as rich, varied, and vital as any national theater in history. This reference chronicles the history of British theater from 1956 to 1995 by providing detailed information about the playwrights of that period. Included are entries for some three dozen British playwrights active between 1956 and 1995. Entries are arranged alphabetically to facilitate use. Each entry supplies biographical information, the production history for particular plays, a survey of the playwright's critical reception, an assessment of the dramatist's work, and primary and secondary bibliographies. A selected, general bibliography at the end of the volume directs the reader to important sources of additional information about this period in theater history.
