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A comprehensive bibliography and exhibition chronology of the world's greatest museum of the decorative arts and design. The Victoria and Albert Museum, or South Kensington Museum as it used to be known, was founded by the British Government in 1852, out of the proceeds from the Great Exhibition of 1851. Like the Exhibition, it aimed to improve the expertise of designers, and the taste of the public, by exposing them to examples of good design from all countries and periods. 2,500 publications have to date been produced by, for, or in association with the V&A. The National Art Library, which is part of the Museum, has prepared this detailed catalogue, supplemented by a secondary list of 500 other books closely related to the V&A. The 1,500 exhibitions and displays recorded include those held in the main Museum and at its branches, the Bethnal Green Museum (now the National Museum of Childhood) and the Theatre Museum, Covent Garden, and additionally those it has organized at external venues, in Great Britain and abroad. The exhibitions and publications are fully cross-referenced, and there are name, title and subject indexes to the whole work, as well as an explanatory introduction.
This book is a complete and comprehensive projection of John Whiting as an absurdist playwright. It is a round and unvarnished story of a prodigious playwright who within a short span of his life, did much to outshine his contemporaries. His journey was not limited to stage and theatre. He also wrote for the films, television and even radio. The journey began with The Conditions of Agreement in 1946 and ended with The Devils in 1961. In between he wrote many landmark plays through which one can trace the evolutionary trajectory of a legend in the making who was a confluence of mind and mystery, love and revenge, sentimentality and blood lust. His plays are replete with sin and sleaze, callou...
Provides an uncensored exlanation of how Plath's death wish, combined with the circumstances of the last four months, led to her demise.
Interviews with Miller and his essays provide an insight into his dramatic works and the man behind the works.
Originally published in 1969, this was the first book of its kind: an attempt to describe the different approaches that the actor needs to make to different media – theatre, film and television – and to show how the art of acting, which never stops evolving had entered into a new phase of growth in the sixties. Ronald Hayman examines questions which are basic, but had often been ignored: What exactly goes on inside the actor’s mind while (s)he is preparing a part? How much do actors vary in their approach? Where does personality stop and technique begin? This wide-ranging study of the actor at work is based partly on what outstanding actors have said about their methods but chiefly on close analysis of actual performances in plays, films and on television. Laurence Olivier, Helene Weigel, Jeanne Moreau and many others are both examined in close-up and viewed in perspective against the giants of the past like Bernhardt and Salvini.
Originally published in 1970, this account of Tolstoy’s achievement as a novelist concentrates on the best known of his works, in particular the two masterpieces Anna Karenina and War and Peace. Extracts are, however, taken from all the major novels and are arranged chronologically to demonstrate the development of his technique. The main part of the book is concerned with narrative method and analyses Tolstoy’s treatment of character, landscape and dialogue together with his use of satire and irony. The range of subject matter throughout the novels is then discussed. In this way, Tolstoy’s genius is seen to lie in his unique gift for penetrating deeply into the individual lives of his characters and at the same time embracing their actions within a complete framework of social and political life.
Drawing on newly available papers and letters, this biography shows how Proust's experiences were transformed into art, deftly tracing his love for his mother, his social climbing, and his love affairs.
In A Life of Jung, Ronald Hayman neither ignores Jung's faults nor exaggerates them. He is scared neither to admire Jung nor to confront the most awkward questions. What actually went on during Jung's sessions with patients? Was his mother insane? Was he a borderline case? What were the consequences of a homosexual episode in his boyhood? Was he pro-Nazi or anti-Semitic? How many affairs did he have with his patients? Why did he fail to sustain any of his friendships with men? Did he believe in ghosts, magic, and miracles? Did he sometimes mean 'God' when he said the 'Unconscious'? Why was he so secretive? Was his grandfather Goethe's illegitimate son? Did he see himself as a reincarnation of Goethe or as the man who could save humanity from nuclear destruction by psychologising Christianity? Ronald Hayman has been given access to a substantial amount of unpublished material that has not been used by previous biographers.
This full-scale biography covers both Brecht's private and public life, and shows how intertwined were the politics, the art, and the personality of this controversial man.