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This essay collection features innovative scholarship on women artists and patrons in the Netherlands 1500-1700. Covering painting, printmaking, and patronage, authors highlight the contributions of women art makers in the Netherlands, showing that women were prominent as creators in their own time and deserve to be recognized as such today. This collection: 1) It contributes research on individual early modern Netherlandish women artists and patrons and names women artists, patrons, and those who-including themselves-promoted and praised their work in their own time. It thereby provides a foundation for future art historians and scholars. 2) It features emerging scholars' research and provides a historiographical corrective with a contemporary perspective on the state of a feminist Netherlandish art history. 3) The topic is timely-feminist issues are experiencing a resurgence of interest in the academy and among a more general readership because of #metoo and the political realities of the US and Europe.
Part one: Points of departure. Memories; Three notes on method; Setting out, with Jerome -- Part two: Paphos. Poetry and place; Curating earthquakes; Life in ruins -- Part three: The mountain. Geographies of the remote; Entropic gardens; Literary cartographies -- Part four: Coda. An ocean of possibility.
Printed artworks were often ephemeral, but in the early modern period, exchanges between print and other media were common, setting off chain reactions of images and objects that endured. Paintings, sculpture, decorative arts, musical or scientific instruments, and armor exerted their own influence on prints, while prints provided artists with paper veneers, templates, and sources of adaptable images. This interdisciplinary collection unites scholars from different fields of art history who elucidate the agency of prints on more traditionally valued media, and vice-versa. Contributors explore how, after translations across traditional geographic, temporal, and material boundaries, original '...
Exploring the rich variety of pictorial rhetoric in early modern northern European genre images, this volume deepens our understanding of genre's place in early modern visual culture. From 1500 to 1700, artists in northern Europe pioneered the category of pictures now known as genre, portrayals of people in ostensibly quotidian situations. Critical approaches to genre images have moved past the antiquated notion that they portray uncomplicated 'slices of life,' describing them instead as heavily encoded pictorial essays, laden with symbols that only the most erudite contemporary viewers and modern iconographers could fully comprehend. These essays challenge that limiting binary, revealing a ...
Exploration of artists in the Netherlands from the late 15th century to the mid 17th century.
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Here's a one-of-a-kind sourcebook on who's who and what's what in American business today. Arranged alphabetically by type of company, it offers a diverse assortment of listings crucial in reaching CEOs, VPs, and other key executives in the nation's top 1,000 companies.
During the last decades, representations of medieval and early modern urban space have witnessed an increasing popularity as objects of study within the historical disciplines. Scholars with different backgrounds investigate urban landscapes in various forms and using a wide range of media. In general, such 'portraits of the city' cover different types of visual and written documents. The twelve essays gathered in this book all cover specific types of such portraits, ranging from historiographical texts and archival record, over drawings, prints and paintings to maps and real urban architectural settings. Moreover, the interdisciplinary scope results in an ample compilation of various innovative methodologies, currently applied in the fields of study and disciplines addressed in the book. 'Portraits of the City' provides a representative overview of the current state of knowledge and is in this way a relevant contribution to the international debate on representations of the city.