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Following an experimental railway track at Chintadripet, in 1835, the battle for India's first railroad was fought bitterly between John Chapman's Great Indian Peninsular Railway and Rowland MacDonald Stephenson's East India Railway Company, which was merged with Dwarkanauth Tagore's Great Western of Bengal Railway. Even at the height of the Mutiny of 1857, Bahadur Shah Zafar promised Indian owned railway tracks for native merchants if Badshahi rule was restored in Delhi. From Jules Verne to Rudyard Kipling to Mark Twain to Rabindranath Tagore to Nirad C. Chaudhuri to R.K. Narayan and Ruskin Bond-the aura of Indian trains and railway stations have enchanted many writers and poets. With iconi...
In September 1600, Queen Elizabeth and London are made to believe that the East India Company will change England's fortunes forever. With William Shakespeare's death, the heart of Albion starts throbbing with four centuries of an extraordinary Indian settlement that Arup K. Chatterjee christens as Typogravia. In five acts that follow, we are taken past the churches destroyed by the fire of Pudding Lane; the late eighteenth-century curry houses in Mayfair and Marylebone; and the coming of Indian lascars, ayahs, delegates, students and lawyers in London. From the baptism of Peter Pope (in the year Shakespeare died) to the death of Catherine of Bengal; the chronicles of Joseph Emin, Abu Taleb ...
“Sophie Irwin is an exciting and original voice. She's a must-buy author for me.”―Taylor Jenkins Reid, New York Times bestselling author of Carrie Soto Is Back Internationally bestselling author Sophie Irwin brings us another delightful, escapist historical romance, led by an audacious heroine who has suddenly inherited a fortune—but it has strings attached… When shy Miss Eliza Balfour married the austere Earl of Somerset, twenty years her senior, it was the match of the season--no matter that he was not the husband Eliza wanted. Now, ten years later, Eliza is widowed. Suddenly, she is left titled, rich, and, for the first time in her life, utterly in control of her own future. She...
This volume will capture transformational changes in both the chemistry and engineering side of solvent extraction, creating new directions and deepening our understanding of the structure and dynamics of liquid-liquid systems from the molecular- to nano- to meso- to bulk-scale. Reviews will cover advances in microfluidics, new tools for understanding the structure and dynamics of the liquid-liquid interface, ionic liquids in liquid-liquid extraction, molecular dynamics to visualize interactions in the solvent phase, liquid-liquid electrochemistry to interrogate the energetics of interfacial transport and complexation, design of new extractants, and the streamlining of process applications.
This book discusses food in the context of the cultural matrix of India. Addressing topical issues in food and food culture, it explores questions concerning the consumption, representation and mediation of food. The book is divided into four sections, focusing on food fads; food representation; the symbolic valence of food; modes and manners of resistance articulated through food. Investigating consumption practices in both public and ethnic culture, each chapter introduces a fresh approach to food across diverse literary and cultural genres. The book offers a highly readable guide for researchers and practitioners in the field of literary and cultural studies, as well as the sociological fields of food studies, body studies and fat studies.
Nineteenth-Century Fiction, Life Writing, and the Victorian Nomad employs canonical literary texts, and introduces new noncanonical works of fiction and autobiography, to uncover how nineteenth-century fiction and life writing engaged with the figure of the nomad as a problematic phenomenon during the Victorian age. Exploring constructions of the nomad in legal, ethnological, and imperial discourse, this volume examines how literary texts responded to nomadism in national and imperial contexts when global flows of population necessitated by empire operated in tension with policies of sedentarization pursued by the nation and the colonial state. This book reveals how literary texts explored and interrogated the sedentary-nomad binary with implications for genre, reader relations, and the ideological underpinnings of sedentism. It examines works by Charlotte Bronte, William Makepeace Thackeray, Wilkie Collins, Joseph Thomson, Flora Annie Steel, and Rudyard Kipling, as well as a Romani autobiography by Samson Loveridge, and will be of strong interest to scholars of Victorian literature and empire studies.
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In 1853 Karl Marx predicted the Indian Railways would foster the growth of parallel industries 'not immediately connected with the railways.' But the most successful industry-which Marx could not possibly have dreamed of-was that of cultural representations of the railways, which began even before the railways, themselves. From Rudyard Kipling to Mark Twain to R.K. Narayan to Ruskin Bond-the aura of Indian trains and railway stations have enchanted many. What imperialism made opulent, nationalism embraced a swadeshi tool, Partition turned into theaters of the macabre, and the nation's destiny marked for its favorite foster child, came to embody the portable architecture of India's modernity....
The uptake of women’s writing as a distinct genre in literature since the 1960s has been rapid and multifarious. This development has fuelled a generation of literary and cultural studies, and can be seen in the growing influence of women’s and gender studies even in literary studies programs. The study of women’s writing has alerted literature to crucial social, political and cultural problems with which the discipline must continue to grapple. New Women’s Writing addresses this legacy and reflects upon the following questions: What is a critical history of women’s writing? How has women’s writing challenged literature’s rigid disciplinary construction? How can we derive a distinct philosophy of women’s writing and literary studies? How does an engagement with women’s writing contribute to a literary understanding of the complex politics of literature? This book is designed to interest both the seasoned scholar of women’s writing, as well as fledgling scholars who wish to grapple with the broad concept of women’s writing and its manifestations in the twentieth century and thereafter.