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In this world where all things are considered as money, I must carry out a counterattack strategy. Neighbors and Widows seduce me every day. School belle, white collar, model, where are you going? As a commander-in-chief who doesn't have any money, the only thing I need to do now is to earn more money. Being a ktv and having a tip is not bad, since this is what I need to do now, I need to get bigger and bigger. My handsomeness must serve the whole society!
With case studies from the USA, Canada, Chile, and other countries in Latin America, American Chinese Restaurants examines the lived experiences of what it is like to work in a Chinese restaurant. The book provides ethnographic insights on small family businesses, struggling immigrant parents, and kids working, living, and growing up in an American Chinese restaurant. This is the first book based on personal histories to document and analyze the American Chinese restaurant world. New narratives by various international and American contributors have presented Chinese restaurants as dynamic agencies that raise questions on identity, ethnicity, transnationalism, industrialization, (post)modernity, assimilation, public and civic spheres, and socioeconomic differences. American Chinese Restaurants will be of interest to general readers, scholars, and college students from undergraduate to graduate level, who wish to know Chinese restaurant life and understand the relationship between food and society.
Breathtaking swordplay and nostalgic love, Peking opera and Chow Yun-fat's cult followers -- these are some of the elements of the vivid and diverse urban imagination that find form and expression in the thriving Hong Kong cinema. All receive their due in At Full Speed, a volume that captures the remarkable range and energy of a cinema that borrows, invents, and reinvents across the boundaries of time, culture, and conventions. At Full Speed gathers film scholars and critics from around the globe to convey the transnational, multilayered character that Hong Kong films acquire and impart as they circulate worldwide. These writers scrutinize the films they find captivating: from the lesser kno...
This book constitutes the thoroughly refereed proceedings of the 22nd International Conference on Computer Processing of Oriental Languages, ICCPOL 2009, held in Hong Kong, in March 2009. The 25 revised full papers and 15 revised poster papers presented were carefully reviewed and selected from 63 submissions. The papers address a variety of topics in natural language processing and its applications, including word segmentation, phrase and term extraction, chunking and parsing, semantic labelling, opinion mining, ontology construction, machine translation, information extraction, document summarization, and so on.
"Chen Changfen (b. 1941) began to photograph the Great Wall twenty years before the Chinese government officially adopted it as the national symbol in 1984... Combining a unique blend of traditional and contemporary technical processes, Chen's ... photographs at once celebrate the remarkable series of building campaigns that produced the Wall and memorialize the thousands of conscripted laborers whose lives were sacrificed to its construction."--Publisher description.
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Millions of Chairman Mao badges were produced during China's Cultural Revolution, and were worn by almost all Chinese people, from Premier Zhou Enlai down to the smallest child. Made in a wide variety of materials (aluminium, plastic, bamboo, porcelain, gold, silver, copper, iron and lead) and with an extensive range of shapes, sizes and designs, they immediately became collectors' items. To give an idea of scale, in China today serious collections start at 10,000 different Mao badges. This catalogue starts with the modest collection of 300 Mao badges at the British Museum. It is the first serious catalogue of its kind in a Western language. While Chinese catalogues assume an extensive prior knowledge of Chinese revolutionary history, this new English catalogue is designed for the beginner and specialist alike, offering a narrative history, as well as extensive glossaries of the symbolic imagery and slogans found on the badges.
Yang also introduces the new discovery of a previously unidentified medium that is located in the gray zone between writing and decoration, which he calls "pictorial inscriptions." Further, Yang discusses the sources, contexts, and correlation among the three media."--BOOK JACKET.
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