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Over a career spanning six decades, Queen have become one of the most successful music artists in the history of the recorded music industry. Their consumption on digital platforms towers above other classic bands and artists of their generation and even many contemporary artists, attesting to the substantial and transgenerational appeal of Queen. This collection offers insights into the Queen phenomenon through considering their artistry, influences, sound, singing style, use of instruments and technology, composition, live performance, as well as their impact on other music makers, and fandom. Bringing together academics from a range of disciplines in music studies, including musicology, composition, performance, as well as specialists in film and media studies, sociology, queer studies, and business studies, the book examines the many dimensions of Queen and lessons we can learn from them to inform future practice in popular music.
The first in-depth study of David Bowie's music videos across a sustained period takes on interweaving storyworlds of an iconic career. Remarkable for their capacity to conjure elaborate imagery, Bowie's videos provide fascinating exemplars of the artistry and remediation of music video. When their construction is examined across several years, they appear as time-travelling vessels, transporting kooky characters and strange story-world components across time and space. By charting Bowie's creative and collaborative process across five distinct phases, David Bowie and the Art of Music Video shows how he played a vital role in establishing music video as an artform. Filling a gap in the existing literature, this book shines a light on the significant contributions of directors such as Mick Rock, Stanley Dorfman and David Mallet, each of whom taught Bowie much about how to use the form. By examining Bowie's collaborative process, his use of surrealist strategies and his integration of avant-garde art with popular music and media, the book provides a history of music video in relation to the broader fields of audiovisual media, visual music and art.
This is the most in-depth exploration of Metallica's songs ever written. From their widely circulated demo, No Life 'til Leather, all the way to their 10th studio album Hardwired... to Self-Destruct - Metallica have earned the title of the biggest heavy metal band on the planet. Their albums, including the hugely influential Master of Puppets, are now considered classics of rock and metal, while singles such as Enter Sandman, Fade to Black and For Whom the Bell Tolls have stood the test of time. Follow the epic journey of the godfathers of thrash metal, song-by-song, and see how they became one of the biggest selling bands in the world. No stone is left unturned across more than 500 pages, illustrated with incredible photography throughout, from the inspiration behind the lyrics and melodies to the recording process and even the musicians and producers who worked on each track. Uncover the stories behind the music in this truly definitive book - a must-have for every Metallica fan.
In the politically and militarily complex world of the medieval Eastern Mediterranean people and entities of different ethnic, religious and linguistic backgrounds came into close contact at many different levels, from everyday dealings in the marketplace to high diplomacy between competing states, thus providing scope for fertile cross-cultural interaction and permeation. This collective volume examines aspects of intercultural communication as reflected in Byzantine, Latin and Arabic documentary sources originating from or relating to the Eastern Mediterranean and ranging from the eleventh to the fifteenth centuries. Twenty essays examine a variety of archival sources for the Latin East, explore chancery traditions in the culturally diverse society of Frankish Cyprus, and trace modes of communication and exchange between Byzantium, Islam and the West. Contributors are: Jean Richard, David Jacoby, Benjamin Z. Kedar, Michel Balard, Peter Schreiner, Michel Balivet, Catherine Otten-Froux, Svetlana V. Bliznyuk, Brenda Bolton, Karl Borchardt, Nicholas Coureas, William O. Duba, Charalambos Gasparis, Hubert Houben, Angel Nicolaou-Konnari, Johannes Pahlitzsch, and Kostis Smyrlis.
A charismatic performer and frontman to Queen, Freddie Mercury is regarded as one of the greatest rock singers in music history. Bursting with all the famed wit, wisdom and wisecracks that made the late, great showman's larger-than-life career so compelling, this tiny tome is home to all of Freddie's most famous, infamous, and funniest flights of spoken fancy. From controversial interview quotes to candid life philosophies, through his legendary performance at Live Aid in 1985 to his final days as a solo artist, everything he ever said (almost) is here. "A lot of people slammed 'Bohemian Rhapsody', but who can you compare that to? Name one group that's done an operatic single." Freddie, on 'Bohemian Rhapsody', interview with Circus magazine, March 1977. "I think Queen songs are pure escapism, like going to see a good film – after that, people can go away, and go back to their problems." Freddie, on the magic of his band's songs, interview with Melody Maker, May 1981.
There are pop stars, and then there is Prince. In this kaleidoscopic, freewheeling biography, John McKie examines the remarkable life and career of one of the most mysterious figures in music through the prism of the record most widely considered his masterpiece, 1987's Sign o' the Times. Drawing on more than 200 interviews with friends, ex-girlfriends, bandmates, recording engineers, bodyguards, personal assistants, wardrobe designers and hairdressers, accomplished music writer John McKie examines the life of this musical polymath with the help of many of the people who knew him best. Family members and friends discuss his childhood when he learned to master several instruments, there is ne...
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