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Since it was first published in 1993, the Sourcebook for Research in Music has become an invaluable resource in musical scholarship. The balance between depth of content and brevity of format makes it ideal for use as a textbook for students, a reference work for faculty and professional musicians, and as an aid for librarians. The introductory chapter includes a comprehensive list of bibliographical terms with definitions; bibliographic terms in German, French, and Italian; and the plan of the Library of Congress and the Dewey Decimal music classification systems. Integrating helpful commentary to instruct the reader on the scope and usefulness of specific items, this updated and expanded edition accounts for the rapid growth in new editions of standard works, in fields such as ethnomusicology, performance practice, women in music, popular music, education, business, and music technology. These enhancements to its already extensive bibliographies ensures that the Sourcebook will continue to be an indispensable reference for years to come.
All students of the Great Man's'career will have to rely on this work. . . . Perhaps Gehring's greatest contributio here is his discussion of 23 sketches that Fields copyrighted that are now in the Library of Congress. Choice
The first comprehensive research guide and bibliography to the large literature surrounding the life and work of one of the 20th century's greatest artists, this volume includes information on more than 1,100 books and articles as well as a chronology, biographical sketch, and list of exhibitions. The secondary bibliography is arranged by topic and includes citations on the artist's life and career, his relationships with contemporary artists (notably Picasso), his influence on subsequent artists, his work in diverse artistic media as well as his oeuvre in general, iconography, and more. While concentrating on printed materials, this guide also includes selected manuscripts and audio-visual ...
In 1913, Charles T. Sprading (1871-1959) wrote a book of remarkable prescience that anticipated the systematic development of an American libertarian tradition. He called it Liberty and the Great Libertarians. What he provided was a biography and intellectual analysis of some thirty great thinkers. Most valuable is his extraordinary job of editing. He chooses the best and most enlightening of their writings and brings them to life. The thinkers covered include Edmund Burke, Thomas Paine, Thomas Jefferson, William Godwin, Wilhelm von Humboldt, John Stuart Mill, Ralph Waldo Emerson, William Lloyd Garrison, Wendell Phillips, Josiah Warren, Max Stirner, Henry D. Thoreau, Herbert Spencer, Lysande...
Sir Arthur Bliss was one of England's most renowned twentieth-century composers. This bio-bibliography provides a brief biography prepared with the assistance of the composer's widow. It then presents a complete list of works and performances, classified by genre and arranged alphabetically by title of composition. Each entry contains a list of premiere performances, with references to commentaries from performance reviews cited in the bibliography. Brief details are also given concerning original manuscripts and their location. The next section contains a discography of commercially and privately produced sound recordings. An annotated bibliography of writings by the composer and about him and his music follows. Annotations are often in the form of quotations from performance reviews. The bibliography concludes with appendices providing alphabetical and chronological listings of Bliss's works and a complete index of names and titles.
This is an annotated bibliography to books, recordings, videos, and websites on choral music. This book will serve as an excellent tool for librarians, researchers, and scholars in sorting through the massive amount of new material that has appeared since publication of the previous edition.
George Crumb is a composer at the forefront of post-World War II American music, and never before has one volume combined a portrait of his life with a catalogue of his extensive work. David Cohen's George Crumb: A Bio-Bibliography corrects this by providing the reader and researcher with an overview of Crumb's life, career, and compositions; and an annotated guide to literature by and about the composer—including not only articles and books, but also album reviews, concert reviews, and interviews. The biographical portion, written in close consultation with the subject, has resulted in perhaps the most complete and accurate biography currently in existence—an irreplaceable resource for anyone seeking a full understanding of 20th-century music.
Includes not only the literature on Wright from 1886 to the present, but also his own extensive writings. Covers English and foreign-language sources including books, monographs, anthologies, exhibition catalogues, book and exhibition reviews, periodical articles, and obituaries.