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Essential texts on the work of Bruce Nauman, spanning the five decades of the artist's career. This volume collects essential texts on the work of Bruce Nauman (b. 1941), an artist of exceptional range whose work continues to probe the fundamentals of both life and art. These critical writings, scholarly essays, and an interview span five decades of Nauman's career, ranging from the first substantive feature on his work, published in 1967, to a catalog essay from his 2018 retrospective. Written by prominent critics, art historians, and curators, the individual texts consider his work in various media, from photography and artists' books to sculpture, video, and room-scaled installations. Taken together, the essays trace the arc of critical reception given to Nauman's work, charting the (somewhat uneven) path to his current eminence as one of our truly indispensable living artists. Contributors Kathryn Chiong, Fidel A. Danieli, Isabel Graw, Rosalind Krauss, Janet Kraynak, Pamela M. Lee, John Miller, Robert Pincus-Witten, Joan Simon, Robert Slifkin, Marcia Tucker, Anne M. Wagner, Taylor Walsh, and Jeffrey Weiss
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"From the beginning I was trying to see if I could make art that did that. Art that was just there all at once. Like getting hit in the face with a baseball bat. Or better yet, like getting hit in the back of the neck. You never see it coming; it just knocks you down. I like that idea very much: the kind of intensity that doesn't give you any trace of whether you're going to like it or not."—Bruce Nauman "Bruce Nauman's art is about heightened awareness, awareness of spaces we usually don't notice (the one under the chair, out of which he made a sculpture) and sounds we don't listen for (the one in the coffin), awareness of emotions we suppress or dread... It's hard to feel indifferent to ...
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... The full texts from the installation included with catalogue ...
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"Many of the more than three hundred photographs in this book show the artist's work in its original studio setting. In her perceptively written text, the author presents an overview of Nauman's career from 1965 through 1988 and separate chapters devoted to his drawings, his writings (discussed in connection with his installation pieces of the 1970s), and his films, videotapes, and performances. She also provides an extensive exhibition history, bibliography, and chronological list of illustrations."--Dust jacket.
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The most comprehensive collection to date of the artist Bruce Nauman's writings plus all of his major interviews from 1965 to 2001. Since the 1960s, the artist Bruce Nauman has developed a highly complex and pluralistic oeuvre ranging from discrete sculpture, performance, film, video, and text-based works to elaborate multipart installations incorporating sound, video recording and monitors, and architectural structures. Nauman's work is often interpreted in terms of movements and mediums, including performance, postminimalism, process, and conceptual art, thereby emphasizing its apparent eclecticism. But what is often overlooked is that underlying these seemingly disparate artistic tendenci...
A group of drawings and photographic works made by Bruce Nauman in the 1960's are collected and examined by Beatrice bon Bismarck as indirect self-portraits of the artist.