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This is the first book to develop a postmigrant analytical perspective for the study of art, concentrating on how postmigration reopens the study of contemporary art and migration. The book introduces art historians and other scholars with a methodological interest in cultural analysis to the innovative concept of postmigration, offering a comprehensive introduction to the various meanings and uses of the term as well as translating it methodologically to an art historical context. The book analyses art projects from Denmark, Germany and Great Britain, which address some of the current challenges to European societies of immigration, and by drawing on theory from fields such as migration stu...
The first book to examine multicultural visual art in Germany, discussing more than thirty contemporary artists and arguing for a cosmopolitan Germanness. With Turks, Jews, and Other Germans in Contemporary Art, Peter Chametzky presents a view of visual culture in Germany that leaves behind the usual suspects--those artists who dominate discussions of contemporary German art, including Gerhard Richter, Anselm Kiefer, and Rosemarie Trockel--and instead turns to those artists not as well known outside Germany, including Maziar Moradi, Hito Steyerl, and Tanya Ury. In this first book-length examination of Germany's multicultural art scene, Chametzky explores the work of more than thirty German a...
Unexpected Routes chronicles the refugee journeys of six writers whose lives were upended by fascism in the aftermath of the Spanish Civil War and during World War II: Cuban-born Spanish writer Silvia Mistral, German-born Spanish writer Max Aub, German writer Anna Seghers, German author Ruth Rewald, Swiss-born political activist, photographer, and ethnographer Gertrude Duby, and Czech writer and journalist Egon Erwin Kisch. While these six writers came from different backgrounds, wrote in different languages, and enjoyed very different levels of recognition in their lifetimes and posthumously, they all made sense of their forced displacement in works that reveal their conflicted relationship...
In a global context in which phenomena of migration play an ever more important role, the ways individual and collective experiences of migration are covered in the media, represented in culture, and interpreted are coming under increasing scrutiny. This book explores the complex relationship between creative engagements with migration on the one hand, and forms of knowledge about migration on the other, inquiring into the ways aesthetic practices are intertwined with knowledge structures. The book responds to three pressing research questions. First, it analyses how fictional texts, plays, images, films, and autobiographical accounts mediate forms of knowledge about migration. Second, it id...
Since the mid-nineteenth century photography has played a central role in cultural encounters within and between migrant communities in the United States. Migrant histories have been mediated through the photographic image, and the cultural practices of photography have themselves been transformed as migrant communities mobilise the photographic image to navigate experiences of cultural dislocation and the forging of new identities. Exploring photographic images and the cultural practices of photography as ‘contact zones’ through which cultural exchange and transformation takes place, this volume addresses the role of photography in migrant histories in the United States from the mid-nineteenth century to today. Taking as its focal point photography’s role in shaping migrant experiences of cultural transformation, and how migrant experiences have re-configured culturally differentiated practices of photography, case studies on migration from Europe, Central America, and North America position photography as entwined with cultural histories of migration and cultural transformation in the United States.
African music’s most distinctive feature is the urbatextuality that transpires through its diversity and plural functions and the specific geographical, cultural, religious, linguistic, political, economic, and social contexts from which it evolves. This music and its circum-Atlantic offspring are characterized by wisdom, subtlety, resilience, and creativity. They are cultural texts marked by an openness to other customs and societies since they maintain authenticity that does not foreclose hybridity, cosmopolitanism, and other global human sensibilities. These elements have made West African music a transnational commodity and a source of inspiration and survival both on the continent and...
The work of Agnes Martin has frequently been associated with East Asian philosophies. Particularly highlighting the oeuvre of this US artist, Mona Schieren presents comprehensive research on the influence of Asianist aesthetics in post-1945 American art. More than just historical analysis, her study opens an entirely new perspective on Martin’s appropriation of Asianisms by focusing on transcultural translation and redefining Martin’s work beyond Abstract Expressionism and Minimalism. This offers new viewpoints on the aesthetic, philosophical, and visual relationships in American postwar art and takes a nuanced approach that moves beyond generalized notions of “Zen” in the US art world. Schieren’s exploration of the intentional and specific uses of Asianist aesthetics profoundly contributes to insights in international art histories and cultural translations.
Design Dispersed pursues the complex and heterogeneous connections between migration and design in the 20th and 21st centuries. The edited volume gathers contributions by international researchers and curators on the question of how design practices and (historical) objects articulate, respond to and critically reflect on migration, flight and displacement: Besides a collage which highlights the aesthetic effects resulting from the networking, overlapping and mixing of forms, another strand of the book looks at the political and social dimensions of design. How are design objects material modes of a critical inquiry on movements of people and things? What role do object trajectories play in the émigré movements of the 1930s and 1940s? Other texts follow the question of how migrants and refugees form their experience and political fight for acceptance into design and architectural productions. A final essay contributes to wordings and projections - what vocabulary do we need in order to adequately think and write about a design dispersed?
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Die Kunsthalle zu Kiel präsentiert anlässlich des Gedenkjahres zum Beginn des ersten Weltkriegs mit der Ausstellung 'Sterne fallen' einen einzigartigen Querschnitt durch die Vorkriegsmoderne in Deutschland und Europa. Sterne fallen widmet sich Künstlern, deren Leben und damit auch Schaffenszeit durch den Krieg und deren Begleitumstände wie die Spanische Grippe und Suizid jäh beendet wurde. Der Titel der Schau zitiert den expressionistischen Dichter August Stramm, der sein Gedicht „Wunde“ im ersten Weltkrieg verfasste und diesem ebenfalls zum Opfer fiel.0In der Präsentation sind Werke von 60 Künstlern und Künstlerinnen aus 12 europäischen Nationen zu sehen, von denen einige Namen...