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Together with Auden, Spender and MacNeice, C. Day Lewis was one of the leading young poets who in the 1930s broke away from the poetic establishment of those days. Day Lewis started writing poetry very young and, despite an active career which embraced schoolmastering , journalism, publishing, academic lecturing and the writing of detective stories, his devotion to poetry never wavered. Always prolife, he continued to write to the end of his days, so that when he died in 1972, having held the Chair of Poetry at Oxford from 1951 and 1956 and having been appointed Poet Laureate in 1968, he left behind a very large and varied body of work. Here, for the first time, are all the poems Day Lewis wrote, including the vers d'occasion which have never previously appeared in book form and a number of works which have only been published in a limited edition before now.
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Poet, translator of classical texts , novelist, detective writer (under the pen-name Nicholas Blake), performer and, at that time , Professor of Poetry at Oxford, C Day-Lewis had many careers all at once. This first authorized biography tells the private story behind the many headlines that this handsome Anglo-Irish Poet Laureate generated in his lifetime. Day-Lewis made his name as one of the 'poets of the 1930s', launching a communist-influenced poetic revolution alongside W. H. Auden and Stephen Spender that aspired to spark wholesale political change to face down fascism. In the 1940s, 'Red Cecil', as he had become known, broke with communism, and with Auden. He went on to produce some o...
The Oxford poets of the 1930s--W. H. Auden, C. Day Lewis, Stephen Spender, and Louis MacNeice--represented the first concerted British challenge to the domination of twentieth-century poetry by the innovations of American modernists such as Ezra Pound and William Carlos Williams. Known for their radical politics and aesthetic conservatism, the "Auden Generation" has come to loom large in our map of twentieth century literary history. Yet Auden's voluble domination of the group in its brief period of association, and Auden's sway with critics ever since, has made it difficult to hear the others on their own terms and in their own distinct voices. Here, rendered in eloquent prose by one of our...
In this work, first published in 1953, C. Day Lewis, former Professor of Poetry at Oxford, chooses a form that enables his various gifts to be displayed to advantage and to sustain rapt interest in a poem longer than convention now favours. It is a poem in seven parts: 'Dialogue at the Airport'; 'Flight to Italy'; 'A Letter from Rome'; 'Bus to Florence'; 'Florence: Works of Art'; 'Elegy Before Death: at Settignano'; 'The Homeward Prospect'. The whole resembles a suite in music; various metres are used, and each part is self-contained, though all are on the same subject - a journey to and in Italy. The poet has used his first impressions of the country to illustrate certain deeper themes indicated by the epigraph: '... an Italian visit is a voyage of discovery, not only of scenes and cities, but also of the latent faculties of the traveller's heart and mind.' If anybody has had the slightest doubt about Mr. Day Lewis's ability to practice what he professes so eloquently and vigorously in his lectures, An Italian Visit should be convincing proof that its author is a poet in the full and splendid exercise of his powers.' Eric Gillett in the National Review.
A selection of the prose writings of the poet and novelist Cecil Day-Lewis (1904-72), poet laureate and Oxford professor of poetry, who published more than twenty volumes of poetry in his lifetime.