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Communities of Sound
Sounding untouchability across postcolonial borders Communities of Sound brings together insights from religion, anthropology, sound, and migration studies to explore the sonic traces of untouchability and forced migration across the Bay of Bengal. Based on an immersive, multi-sited ethnography with Matua devotees—a low-caste, Bengali-speaking Dalit religious community fragmented by Partition, war, and postcolonial displacement—the book explores how sound sustains identity across fractured geographies. Using richly detailed descriptions, the book follows traveling archives of song, story, and ritual performance through West Bengal, Bangladesh, and the Andaman Islands. These sonic practic...
The Legacy of Vaiṣṇavism in Colonial Bengal
This book offers a focused examination of the Bengali Vaiṣṇava tradition in its manifold forms in the pivotal context of British colonialism in South Asia. Bringing together scholars from across the disciplines of social and intellectual history, philology, theology, and anthropology to systematically investigate Vaiṣṇavism in colonial Bengal, this book highlights the significant roles—religious, social, and cultural—that a prominent Hindu devotional current played in the lives of wide and diverse sections of colonial Bengali society. Not only does the book thereby enrich our understanding of the history and development of Bengali Vaiṣṇavism, but it also sheds valuable new light on the texture and dynamics of colonial Hinduism beyond the discursive and social-historical parameters of an entrenched Hindu "Renaissance" paradigm. A landmark in the burgeoning field of Bengali Vaiṣṇava studies, this book will be of interest to scholars of modern Hinduism, religion, and colonial South Asian social and intellectual history.
The Oxford Handbook of Tantric Studies
"Since the earliest encounters between tantric traditions and Western scholars, tantra has posed a challenge. Representation of tantra has tended to emphasize the antinomian, decadent aspects, which, as attention-grabbing as they were for Western audiences, hampered the study of the field. The Oxford Handbook of Tantric Studies is intended to overcome these obstacles, facilitating collaboration between scholars working on different forms of tantra, and in different disciplines. With more than forty chapters and a global pool of contributors, the Handbook aims to be the definitive reference work in the field, exploring core topics such as action, transformation, embodiment, art, language, and...
The Cultural Heritage of Śākta Tantric Communities in India
Despite the long tradition of exploring the Tantric temple culture of Nampūtiri Brahmins within Tantric studies, the Śākta stream remains under-researched. This book therefore enriches understanding of these largely neglected sampradāyas (spiritual traditions), bringing them to the attention of the wider academic community and ultimately shedding light on Śākta communities often marginalised in the discourses on mainstream Asian religions. Forming one of the richest surviving religious-philosophical traditions of South Asia, Kerala Śākta Tantra is a complex ritualistic system that evolved under the strong influence of various esoteric traditions, including Kashmirian Śaivism (Krama)...
Journeys of Love
An empathetic and eye-opening portrait of Muslim migrants in England that debunks many misperceptions about their music and poetry. In Journeys of Love, ethnomusicologist Thomas Hodgson offers a sensitive corrective to harmful portrayals of immigrants—specifically, Pakistanis living in England—as a self-segregating group prohibited from making music, a stereotype that has often resulted in violent Islamophobia. He argues that, in practice, these migrants—many of whom come from the Mirpur area of Azad Kashmir—occupy rich musical worlds, full of poetic metaphors, that are central to surviving migration and its attendant losses. Hodgson shows how Mirpuris in England, as well as those wh...
Sounding the Indian Ocean
"Providing numerous case studies ranging across the Indian Ocean--across disparate time periods and historical and ethnographic approaches--Sounding the Indian Ocean: Musical Circulations in the Afro-Asiatic Seascape brings together the disciplines of Indian Ocean and music studies. As glimpsed above in the Sufi and Catholic networks connecting South and Southeast Asia, the chapters in this volume explore how music helps materialize networks of connection across the Indian Ocean Region (IOR) and in several of its distinct locales. Our focus is not simply the well-worn tropes of Indian Ocean cosmopolitanism, however, nor a definition of the IOR as a site for the harmonious mixing of populations (though some of our chapters do one or both of these). Rather, we show how music contributes to placemaking in distinct 'Indian Ocean worlds' (Srinivas et al. 2020). Instead of defining music's value in its ability to provide either narratives of identity formation or the celebration of mixture, Sounding the Indian Ocean explores the role music plays in both boundary-formation and boundary-crossing in Indian Ocean contexts, past and present"--
Folklore, Religion and the Songs of a Bengali Madman
This book explores historical and cultural aspects of modern and contemporary Bengal through the performance-centred study of a particular repertoire: the songs of the saint-composer Bhaba Pagla (1902-1984), who is particularly revered among Baul and Fakir singers. The author shows how songs, if examined as 'sacred scriptures', represent multi-dimensional texts for the study of South Asian religions. Revealing how previous studies about Bauls mirror the history of folkloristics in Bengal, this book presents sacred songs as a precious symbolic capital for a marginalized community of dislocated and unorthodox Hindus, who consider the practice of singing in itself an integral part of the path towards self-realization.
Atmospheric Knowledge
A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. How do we know through atmospheres? How can being affected by an atmosphere give rise to knowledge? What role does somatic, nonverbal knowledge play in how we belong to places? Atmospheric Knowledge takes up these questions through detailed analyses of practices that generate atmospheres and in which knowledge emerges through visceral intermingling with atmospheres. From combined musicological and anthropological perspectives, Birgit Abels and Patrick Eisenlohr investigate atmospheres as a compelling alternative to better-known analytics of affect by way of performative and sonic practices across a range of ethnographic settings. With particular focus on oceanic relations and sonic affectedness, Atmospheric Knowledge centers the rich affordances of sonic connections for knowing our environments.
CoronAsur
The Open Access edition of this book will be available in June 2023 at https: //manifold.uhpress.hawaii.edu/projects/coronasur, where video and additional images may also be accessed. By the summer of 2020, when the coronavirus had fully entered our everyday vocabulary and our lives, religious communities and places of worship around the world were already undergoing profound changes. In Asian and Asian diaspora communities, diverse cultural tropes, beliefs, and artifacts were mobilized to make sense of Covid, including a repertoire of gods and demons like Coronasur, the virus depicted with the horns and fangs of a traditional Hindu demon. Various kinds of knowledge were invoked: theologies,...
Religious Sounds Beyond the Global North
What makes sounds religious? How are communities shaped by the things they hear, play, or listen to? This book foregrounds connections between sounds, bodies, and media in the private and public life of communities beyond the Global North, analyzing diverse configurations of the category of sound and various sonic ontologies to usher in a more inclusive global anthro-history of religious sounds. Religious Sounds Beyond the Global North implements a sonic turn in the study of religion by engaging with a diversity of auditory, musical, and embodied practices. Dislodging the Global North as the main point of reference for studies on religious sound, in this volume editors Carola E. Lorea and Rosalind I. J. Hackett propose an acoustemology of the post-secular with an emphasis on Asia as method. Unsettling and expanding existing discussions on senses, media, and power, the editors present religious sounds as co-creating subjectivities and collectivities that coalesce around audible aesthetic formations, demonstrating that religious sounds are not only produced by certain religious traditions but also produce communities, shaping the self and sensitivity of those who participate.
