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Aesthetic Collectives
This book focuses attention on groups of performing people that are unique aesthetic objects, the focus of an artist’s vision, but at the same time a collective being; a singular, whole mass that exists and behaves like an individual entity. This text explores this unique experience, which is far from rare or special. Indeed, it is pervasive, ubiquitous and has, since the dawn of performance, been with us. Surveying installation art from Vanessa Beecroft & Kanye West, Greek tragedy, back-up dancing groups and even the mass dance of clubbing crowds, this text examines and names this phenomenon: Aesthetic Collectives. Drawing on a range of methods of investigation spanning performance studies, acting theory, studies of atmosphere and affect and sociology it presents an intervention in the literature for something that has long deserved its own attention. This book will be of great interest to scholars, students and practitioners in performance studies, theatre, live art, sociology (particularly of groups and subcultures), cultural studies and cultural geography.
The Technical Object on Stage
At once strange and familiar, bearer of a narrative and initiator of a relationship, the theatrical object has a status of its own within performance, constantly encouraging actors to reassess the quality of their relationship with their immediate environment. This book proposes to turn our attention to a specific type of object—the “technical” object, i.e., the technological apparatus, now digital, as it is put into play on contemporary theatrical stages. More than an exhaustive panorama, The Technical Object on Stage attempts to formulate several questions about the possibilities opened up by these new kinds of objects, through a number of case studies (Marina Bollaín, Simon McBurney, Rabih Mroué, Heiner Goebbels, Dries Verhoeven, Robert Lepage, Agnès de Cayeux, and Christiane Jatahy), and interviews with artists whose production bears witness to an interest in this technical object.
Language Research in Multilingual Settings
This book describes the steps undertaken by language researchers to disseminate their findings at sites of practice. It discusses questions that arise from such efforts and provides meaningful, real-life, first-hand accounts of both interactions with practitioners and practitioners’ feedback. The authors use narrative accounts, case studies, and semi-ethnographies of focus groups and workshops to draw a full picture of dissemination, its intricacies, multiple stakeholder interests, reflexivity challenges, and future relevance and responsibility for all parties involved. It is an attempt to fill the gap between the end of research domains and the places of dissemination of research findings, and the book will be of interest to applied linguistics researchers, students and scholars of organisational discourse, and practitioners working in multilingual settings.
Discourses of Brexit
Discourses of Brexit provides a kaleidoscope of insights into how discourse influenced the outcome of the EU referendum and what discourses have sprung up as a result of it. Working with a wide variety of data, from political speeches to Twitter, and a wide range of methods, Discourses of Brexit presents the most thorough examination of the discourses around the British EU referendum and related events. It provides a comprehensive understanding of the discursive treatment of Brexit, while also providing detailed investigations of how Brexit has been negotiated in different contexts. Discourses of Brexit is key reading for all students and researchers in language and politics, discourse analysis and related areas, as well as anyone interested in developing their understanding of the referendum.
Twitter, the Public Sphere, and the Chaos of Online Deliberation
This volume provides a critical view of the nature and quality of political and civic communication on Twitter. The introduction lays out the current state of research, showing the continuum of views, from the more optimistic to more pessimistic, regarding the platform’s potential to facilitate civic conversations. The eleven empirical case studies in the book provide new insights, addressing a variety of topics through a diverse array of methodological approaches. Together, the chapters provide a counter position to recent studies that offer more celebratory assessments of Twitter’s potential. The book draws attention to the chaotic, insular, uncivil, and emotionally charged nature of debate and communication on Twitter.
Musicality in Theatre
As the complicated relationship between music and theatre has evolved and changed in the modern and postmodern periods, music has continued to be immensely influential in key developments of theatrical practices. In this study of musicality in the theatre, David Roesner offers a revised view of the nature of the relationship. The new perspective results from two shifts in focus: on the one hand, Roesner concentrates in particular on theatre-making - that is the creation processes of theatre - and on the other, he traces a notion of ‘musicality’ in the historical and contemporary discourses as driver of theatrical innovation and aesthetic dispositif, focusing on musical qualities, metapho...
Beyond Classical Narration
This collection of essays looks at two important manifestations of postclassical narratology, namely transmedial narratology on the one hand, and unnatural narratology on the other. The articles deal with films, graphic novels, computer games, web series, the performing arts, journalism, reality games, music, musicals, and the representation of impossibilities. The essays demonstrate how new media and genres as well as unnatural narratives challenge classical forms of narration in ways that call for the development of analytical tools and modelling systems that move beyond classical structuralist narratology. The articles thus contribute to the further development of both transmedial and unnatural narrative theory, two of the most important manifestations of postclassical narratology.
Visual Citizenship
This book explores visual political engagement online – how citizens participate in the dynamism of life in society by expressing their opinions and emotions on various issues of democratic life in image-based social media posts, independently of collective actions. Looking beyond large digital social movements to focus on the everyday, the book provides a well-documented and comprehensive framework of key notions, concrete methods and examples of empirical insights into everyday visual citizenship on social media. It shows how the visual has become ubiquitous in citizens’ communication on social media, focusing on how citizens use visual content to express their emotions and opinions on social media platforms when they discuss politics in a large sense. With this book, every reader interested in political communication, visual communication and/or new media is fully equipped to analyse everyday visual citizenship on social media platforms. The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons [Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND)] 4.0 license.
Corps et immersion
A l'heure des progrès technologiques exploités par l'industrie du divertissement, l'immersion constitue une thématique des arts du spectacle plus que jamais actuelle. Une véritable recherche de sensations fleurit dans les désirs du public face à la modernité des dispositifs technologiques actuels. Quelles approches du corps ces processus d'immersion impliquent-ils ? Quelles interactions se mettent en place entre "l'immersant" et l'interface numérique en jeu ?
L'écran expérimental
Ecran, revue multidisciplinaire, se destine à l'examen de problématiques concernant l'image. Au moment où les nouvelles technologies brassent ou associent les médiums, nous voulons examiner les pluralités des facettes à travers lesquelles se présente l'image. En effet, les objets incluant un écran sont nombreux et d'usage quotidien, ils suscitent des pratiques nouvelles, des emplois étranges et participent souvent à des expériences artistiques inédites : ce premier numéro, L'écran expérimental, rend compte de quelques-unes de ces expériences et aussi de leurs significations.
