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Black Shack Alley
The semiautobiographical Caribbean novel that explores shifting race relations in early twentieth-century colonial Martinique, with a foreword by Martinican author Patrick Chamoiseau A Penguin Classic Following in the tradition of Richard Wright's Black Boy, Joseph Zobel's semiautobiographical 1950 novel Black Shack Alley chronicles the coming-of-age of José, a young boy grappling with issues of power and identity in colonial Martinique. As José transitions from childhood to young adulthood and from rural plantations to urban Fort-de-France on a quest for upward mobility, he bears witness to and struggles against the various manifestations of white supremacy, both subtle and overt, that will alter the course of his life. His ally in this struggle is his grandmother, M'man Tine, who fights her own weariness to release at least one child from the plantation village, a dirt street lined with the shacks of sugarcane workers. Zobel's masterpiece, the basis for the award-winning film Sugar Cane Alley directed by Euzhan Palcy, is a powerful testament to twentieth-century life in Martinique, with a foreword by award-winning Martinican author Patrick Chamoiseau.
Decolonial Care
Decolonial Care examines the relationship between the legacies of colonialism and the dynamics of caregiving that have emerged from the French Caribbean. Through a variety of media, including novels, graphic narratives, and curatorial discourse, this book explores four key contexts at the intersection of care and colonialism: care-focused gender roles, domestic service, nurturing human life and environments, and curation as caring. Decolonial Care argues that to imagine caregiving in the context of the French Caribbean means reckoning with intrinsically uncaring practices inherited from colonial rule that show disregard for human life and environments. Putting in dialogue postcolonial studies and care studies, this book elucidates how caring and uncaring have been historically shaped by colonialism, showing how media and narratives about the French Caribbean document the damaging impact of colonialism but also help develop decolonial approaches to care that sustain human life and livable environments.
Crusoe’s Footprint
The discovery in Robinson Crusoe of the footprint of a fellow human on an abandoned island is a haunting and iconic moment in world literature. In the hands of Patrick Chamoiseau, one of the most innovative and lauded authors in the French language, this moment of shattered solitude becomes an occasion for Crusoe to reconsider his origins, existence, and humanity and for one of our most acclaimed novelists to craft a powerful meditation on race and history. Chamoiseau’s novel contrasts two intertwining narratives—the log entries of a slave ship’s captain and the story of a castaway who awakens on a beach and must rebuild his entire world alone. Chamoiseau creates a new perspective on the Crusoe myth, not only injecting the slave trade and Creole history into this previously ahistorical tale but conceiving an intensely original, freeform prose influenced by Creole cadence. This powerful work by a literary master is available in English for the first time in this eloquent and vivid translation.
Teaching Postcolonial Environmental Literature and Media
Provides strategies for teaching postcolonial environmental literature by writers from the Global South and indigenous peoples. Topics and approaches include environmental justice, queer ecofeminism, animal studies, migration, anticolonialism, petrofiction, sea level rise, environmental humanities, and environmental justice organizations. Works from Africa, Latin America, East Asia, and the Caribbean are discussed.
Salvage
One of Literary Hub's most anticipated books of 2024 Dionne Brand explores English and American literature, and the colonial aesthetic that shaped her sense of self and the world, of what was possible and what was not. In Salvage: Readings from the Wreck, Dionne Brand’s first major book of nonfiction since her classic A Map to the Door of No Return, the acclaimed poet and novelist offers a bracing look at the intersections of reading and life, and what remains in the wreck of empire. Blending literary criticism and autobiography-as-artifact, Brand reads Aphra Behn’s Oroonoko, Daniel Defoe’s Robinson Crusoe, and Jane Austen’s Mansfield Park, among other still widely studied works, to ...
Choose Your Bearing
What do we in the West owe those who grow our food, sew our clothes and produce our electronics? And what have we always owed one another, but forgotten, avoided, or simply disregarded?Looking back on nearly a century of colonial war and genocide, in 1990 the poet and philosopher Edouard Glissant appealed directly to his readers, calling them to re-orient their lives in service of the political struggles of their time: 'You must choose your bearing'. Informed by the prayer camps at Standing Rock, and presenting Glissant alongside Stuart Hall, Emmanuel Levinas, Simone Weil, Enrique Dussel, Gloria Anzaldua and W. E. B. Du Bois, this book offers an urgent ethics for the present - an ethics of risk, commitment and care that together form a new sense of decolonial responsibility.
Graphic Narratives of Resistance
Examines the political and aesthetic gestures embedded in bandes dessinées and graphic novels in order to question the past and the contemporary realities of the French-speaking world.
Yale French Studies, Number 147
An examination of interrelatedness, influence, and intention in the works of Martinican writer Patrick Chamoiseau In this issue of Yale French Studies, editors Thomas Trezise and Charly Verstraet assemble essays exploring the work of Martinican writer Patrick Chamoiseau. As a public intellectual concerned with affairs both local and global, Chamoiseau has crafted a body of work that reaches beyond the traditional borders of the Caribbean while maintaining the interrelatedness of the islands with the rest of the world. Contributors to the volume, including Chamoiseau himself, examine his novels, memoirs, poetics, and depictions of trauma, darkness, animals, and more to reveal the way his words cannot be contained within traditional boundaries (literary, political, or cultural). The collection touches on Chamoiseau's techniques of borrowing, mixing, and subverting European literary genres; his implicit or explicit dialogue with other writers; his engagement with different media; and the connections he draws between historical trauma and natural disaster.
