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Michelangelo
Consummate painter, draftsman, sculptor, and architect, Michelangelo Buonarroti (1475–1564) was celebrated for his disegno, a term that embraces both drawing and conceptual design, which was considered in the Renaissance to be the foundation of all artistic disciplines. To his contemporary Giorgio Vasari, Michelangelo was “the divine draftsman and designer” whose work embodied the unity of the arts. Beautifully illustrated with more than 350 drawings, paintings, sculptures, and architectural views, this book establishes the centrality of disegno to Michelangelo’s work. Carmen C. Bambach presents a comprehensive and engaging narrative of the artist’s long career in Florence and Rome...
The Menorah and the Seven-branched Candelabrum
For both Judaism and Christianity, the Menorah is an iconic artefact. It played a crucial role as an implement of the Tabernacle in the desert and the Temple in Jerusalem. After the destruction of the Temple and the eventual loss of the Menorah, it became the quintessential symbol of the Jewish people. It also figures prominently in Christian thought and imagery. Especially Christian monumental seven-branched candelabra raise questions about their spatial aesthetics as well as their liturgical and performative functions. This volume offers interdisciplinary reflections on the Menorah in both Jewish and Christian traditions, and thus contributes not only to a better understanding of their cultural entanglement in pre-modern times, but also to a more differentiated view of their specific and contextualaesthetic qualities.
Sculpture in Print, 1480–1600
Sculpture in Print, 1480–1600 is the first in-depth study dedicated to the intriguing history of the translation of statues and reliefs into print. The multitude of engravings, woodcuts and etchings show a highly creative handling of the ‘original’ antique or contemporary work of art. The essays in this volume reflect these various approaches to and challenges of translating sculpture in print. They analyze foremost the beginnings of the phenomenon in Italian and Northern Renaissance prints and they highlight by means of case studies amongst many other topics the interrelated terminology between sculpture and print, lost models in print, the inventive handling of fragments, as well as the transformation of statues into narrative contexts.
The Basilica of Saint John Lateran to 1600
The first inter-disciplinary study to examine the construction and development of the world's first cathedral from its origins to 1600.
The Historian's Eye
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Artibus Et Historiae
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Michelangelo
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Michelangelo, Drawing, and the Invention of Architecture
Michelangelo's fame as a painter and sculptor tends to eclipse his reputation as an architect, but his impact here was just as profound. In this book, Cammy Brothers takes an unusual approach to Michelangelo's architectural designs, arguing that they are best understood in terms of his experience as a painter and sculptor. By following the steps by which Michelangelo arrived at his extraordinary inventions, the author questions conventional notions of spontaneity as a function of genius. Rather, she explores the idea of drawing as a mode of thinking, using its evidence to reconstruct the process by which Michelangelo arrived at new ideas. By turning the flexibility and fluidity of his figurative drawing methods to the subject of architecture, Michelangelo demonstrated how it could match the expressive possibilities of painting and sculpture.
