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Writing in Our Time
Process poetics is about radical poetry — poetry that challenges dominant world views, values, and aesthetic practices with its use of unconventional punctuation, interrupted syntax, variable subject positions, repetition, fragmentation, and disjunction. To trace the aesthetically and politically radical poetries in English Canada since the 1960s, Pauline Butling and Susan Rudy begin with the “upstart” poets published in Vancouver’s TISH: A Poetry Newsletter, and follow the trajectory of process poetics in its national and international manifestations through the 1980s and ’90s. The poetics explored include the works of Nicole Brossard, Daphne Martlatt, bpNichol, George Bowering, Roy Kiyooka, and Frank Davey in the 1960s and ’70s. For the 1980-2000 period, the authors include essays on Jeff Derksen, Clare Harris, Erin Mour, and Lisa Robertson. They also look at books by older authors published after 1979, including Robin Blaser, Robert Kroetsch, and Fred Wah. A historiography of the radical poets, and a roster of the little magazines, small press publishers, literary festivals, and other such sites that have sustained poetic experimentation, provide context.
The Unconscious in Literature
This book aims to investigate the unconscious in literature using Freudian and Lacanian psychology to analyse the unconscious in a range of literary works. The works of Thomas Hardy, William Golding, and Iris Murdoch are discussed in the first chapter through eight. Based on the argument in these chapters, this volume considers the environmental problem by examining the unconscious in the literary texts, including poetry, in the light of philosophers and critics on ecology. There is a focus on the Oedipus complex, the death drive, and the unsymbolic void, as they have much relevance to each other in the unconscious as to one’s relationship with others, primarily with the mother, and underlie the plots and leitmotifs of the literary texts discussed. The author carefully examines the complicated relationship between the infringement of the pleasure principle, and the unsymbolic void, and how they are depicted as various phases of nature.
Buddyland
The original Vancouver Subhumans meet Wyndham Lewis in a back alley, beat the hell out of him, take all of his money, use it to buy drugs and booze, then sit down in a seedy Gastown bar and begin to write poetry based on the contents of Lewis's briefcase. The results might be something like Buddyland.
Poetry Matters
Poetry Matters explores poetry written by women from the United States and Canada, which documents the social and political turmoil of the early twenty-first century and places this poetry in dialogue with recent currents of feminist theory including new materialism, affect theory, posthumanism, and feminist engagements with neoliberalism and capitalism. Central to this project is the conviction that a poetics that explores the political dimensions of affect; demonstrates an understanding of subjectivity as posthuman and transcorpoℜ critically reflects on the impact of capitalism on queer, racialized, and female bodies; and develops an ethical vocabulary for reimagining the nation state an...
Open Letter
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BpNichol and His Works
A study of the Canadian poet bpNichol and his works.
Gentleman of Leisure
A facsimile edition of the first 1972 edition that followed Silky, a pimp, and his women through an entire year of life on the streets of New York City. Bob Adelman dives headlong onto the world of the original Macks and players - the Big City Pimps - in this in-depth photographic exploration of the underworld figures that populated the streets of New York City. Armed with only a camera Adelman entered the lives of Silky and his women. This facsimile edition re-introduces this classic of the times and makes available, once more, this compelling and hugely popular book.
Yishu
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Meanwhile
A thoughtful and provocative 30-year record of Nichol's approaches to textual production.
The Only Poetry that Matters
A thought-provoking history of the internationally renowned language poetry group the Kootenay School of Writing.
