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This full-length poetry collection from art historian David C. Ward combines wry meditations on 21st-century life, work, and family with observations of America—its landscapes, its history, its social and foreign policy. Ward's poems are peopled by those who seem never quite able to inhabit their own lives: from well-known figures such as Andy Warhol and vanished poet Weldon Kees to Ward's own father, a nighthawk playing poker against himself in the early hours. The book's final section turns an unflinching gaze on the post-9/11 United States and its self-deceptions.
The scholarly essays in this book focus on the theme of art and social change in Western art from the Renaissance to about 1950. The edited volume includes contributions by scholars with a range of professional backgrounds and affiliations. Their essays address some aspect of the theme and engage with one or more artworks in the collection of La Salle University Art Museum. Topics include religious iconography, portraiture, landscape, journal illustrations, and Modernist abstraction. These essays on the collection add to the body of scholarship which situates works of art in contexts that help reveal and explain changes in social, political or cultural values. The book is lavishly illustrated, with 104 color illustrations.
Presents a history of the various towns of Oswego County from 1877, maps of the county, engravings of various county scenes, and information about prominent individuals of that time and earlier.