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The Golden Dragon
Number 6: Thai soup with chicken, coconut milk, Thai ginger, tomatoes, button mushrooms, lemon grass and lemon leaves (hot). On a typical evening, anywhere in Europe, you walk into your local Thai/Chinese/Vietnamese restaurant, and the whole world is there. Everyone connected to everyone else, through this one place...The Golden Dragon is a funny and theatrical fable of modern life and migration, whisking you from your local takeaway to East Asia and back, revealing what really goes into that bowl of spicy soup. Are you hungry yet?
Schimmelpfennig: Plays One
Roland Schimmelpfennig is the most performed contemporary German playwright. This collection demonstrates the breadth and formal innovation of his writing. The Animal Kingdom depicts the unremitting battle for human survival in a merciless environment: the theatre. Peggy Pickit Sees the Face of God has been likened to a post-colonial Who's Afraid of Virginia Woolf. Here two doctors who have returned from Africa reveal the true cost of their failure to combat a terrible and frightening disease. Idomeneus is a narrative play written for a large chorus which re-tells the classical Idomeneus myth in contemporary terms; a fractured, mythic tidal wave, brought to life with astounding theatricality by an ensemble of storytellers. A small narrative piece, The Four Points of the Compass is an urban fable of crossed destinies and uncanny coincidences and a compelling contemporary tale of lust for life and the fragility of existence.
Dea Loher: Three Plays
Dea Loher is one of the most powerful and individual voices in German theatre today. This volume brings together three of her plays to be performed in English. Olga’s Room Communist. Jew. Revolutionary. Lover. Mother. Olga Benario’s story is a searing tale of survival as alongside her fellow prisoners she struggles to hold onto her disintegrating sense of self. Based on real events of the 1930s-40s, Dea Loher’s gripping first play spans Brazilian revolution and Nazi dictatorship. Innocence A city by the sea. 14 people on the edge. Illegal immigrants afraid of being arrested for a good deed. A philosopher who burns her own books. A woman seeking forgiveness for crimes she didn’t commi...
The Translator on Stage
In today's theatre, productions of plays that originated in another language are frequently distinguished by two characteristics: the authorship of the English text by a well-known local theatre specialist, and the absence of the term 'translation'-generally in favour of 'adaptation' or 'version'. The Translator on Stage investigates the creative processes that bring translated plays to the mainstream stage, exploring the commissioning, translation and development procedures that end with a performed play. Through a sample of eight plays that span two thousand years and six languages-including Festen, Don Carlos, Hedda Gabler and The UN Inspector-and that were all staged within a three-month...
Idomeneus
‘A promise is a promise. A promise is a promise.’ Idomeneus, King of Crete, has killed his son. Or maybe not. Maybe he's let his son live, but angered the gods in doing so. Or maybe the person he thinks is his son is an imposter. Maybe his real son actually turned into a talking, shape-shifting sea-creature and is back to have a heart-to-heart. Or maybe it's all true, all at once. A kaleidoscope of monsters, mythmaking and sudden, striking humor, Roland Schimmelpfennig’s smash-hit Idomeneus details the end of a war between nations and the beginning of a war between reason and superstition. Idomeneus makes a promise to the gods, and what comes next is a fractured, mythic tidal wave, brought to life in an inventively staged quest-story.
Winter Solstice
Christmas Eve. Bettina and her husband Albert aren’t happy. Bettina’s mother is staying for the holidays. Which is awkward. Not least because Bettina’s mother met a man on the train. And now she’s invited him around for drinks... Family, betrayal and the inescapable presence of the past reverberate through the UK premiere of Roland Schimmelpfennig’s razor-sharp comedy.
Bobby Baker
The first full-length book by and about one of the most important performance artists working today, this collection brings together a 'best of' selection of the myriad articles written about Baker's work by various writers and academics including Marina Warner and Griselda Pollock.
The Woman Before
Award-winning playwright Roland Schimmelpfennig is one of the most exciting voices in European drama.
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