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American Fantastic
American Fantastic challenges readers to recognize an organizing myth in America’s perception of its imperialist past, “the myth of redemptive violence.” Derek J. Thiess persuasively argues that this myth serves to obscure the deep thread of Christian supremacy that underwrites America’s colonial and imperial impulses, from the early colonial period to westward expansion to the contemporary global order. This American imaginary, which enmeshes religion with violence, is constructed in multiple contentious and productive contact zones: between genres, between cultures, and between past and present. Thiess’s interdisciplinary study examines America’s past and present imperial projects, from the Hawaiian Islands to the Eastern Seaboard, as they proliferate in popular story forms. By interrogating American myths, legends, and fantastic narratives across an impressive array of genres, including folk narratives, science fiction, movies, and more, Thiess exposes how the “myth of redemptive violence” manifests in contemporary constructions of America’s fantastic imaginaries.
Existential Science Fiction
This book explores contemporary existential science fiction media, including film, television, and video games, and their influence on society’s conceptions of memory, identity, and humanity. Most poignantly, Ryan Lizardi argues, are the ways in which a recent cluster of science fiction media, including Gravity (2013), Interstellar (2014), Legion (2017-2019), Westworld (2016-present), SOMA (2015), and Death Stranding (2019), among others, present a vision of the future that is inextricably tied to an exploration of humanity that is more contemplative and comparative than traditional science fiction. The combination of the existential nature of this current trend in science fiction with the genre’s ability to manifest these abstract concepts in a generic environment that is historically focused on new frontiers and ideas creates a powerful set of media texts that ask audiences to contemplate what it means to exist, think, and connect as human beings. Scholars of media studies, film studies, television studies, genre studies, and philosophy will find this book particularly useful.
Care and Disability
Care and Disability is an edited collection offering critical perspectives on representations of care and disability, by emerging and established scholars across multiple periods, regions, and genres of literary studies. The authors demonstrate the range of fields in which care ethics can elucidate alternative cultural and social dynamics, including Indigenous, African American, and Asian texts, and historical eras that predate the modern medical profession. This collection is committed to drawing out the changing racial, gendered, classed, and sexual elements of care, emphasizing how care communities develop as alternatives to the heteronormative couple and the nuclear family. Drawing from the care ethics and disability theory, the work in this volume demonstrates the possibilities inherent in this new cutting-edge field. It will be of interest to all scholars and students of disability studies, care ethics, sociology, narrative medicine, Romanticism, eighteenth-century studies, transatlantic nineteenth-century studies, film, and contemporary race studies.
Refusing to Be Made Whole
In Refusing to Be Made Whole: Disability in Black Women’s Writing, author Anna LaQuawn Hinton examines how contemporary Black women writers present becoming disabled as a traumatic and violent experience of Black womanhood. Nevertheless, Black women embrace disabled Black womanhood by turning to Africanist spiritual understandings of wholeness, which view debilitating injury and illness as not only physical but also spiritual, not just an individual problem but a symptom of discord in the community. Black women use these belief systems to reimagine healing in ways that make space for a variety of bodymindspirits. Hinton maintains that this is not only a major theme in contemporary Black wo...
Healthcare in Children's Media
Contributions by Anna Bugajska, Dayna Campbell, Dallas Ducar, Sudeshna Shome Ghosh, Melanie Goss, Joseph Holloway, Jeremy Johnston, Manjushri Karthikeyan, Jenise Katalina, Sarah Layzell, Naomi Lesley, Anna Macdonald, Vanessa E. Martínez-Renuncio, Nichole Mayweather-Banks, Madison Miner, Dawn Sardella-Ayres, Farriba Schulz, Carrie Spencer, Antje Tannen, Valerie A. Ubbes, and B.J. Woodstein Healthcare in Children’s Media, edited by Naomi Lesley and Sarah Layzell, is a collection of essays and interviews from scholars, activists, and practitioners grappling with crucial questions about representations of healthcare systems, both formal and informal, in children’s media. The volume focuses ...
Sideways in Time
This important collection of essays acknowledges the long and distinctive history of the alternate history genre whilst also revelling in its vitality, adaptability, and contemporary relevance, with many of the chapters discussing late twentieth- and early twenty-first-century texts which have previously received little or no sustained critical analysis.
Nordic Speculative Fiction
This volume brings together scholarly theories and practices on speculative fiction from the Nordic countries, including Denmark, Finland, Iceland, Norway, and Sweden, that are all rooted in similar values, culture, and history yet are independent and unique societies. The book exhibits both the convergences and the diversity of the Nordics in fiction and fandom as well as in research. It traces the roots of Nordic speculative fiction, how it has developed over time, and how the changes in Nordic environments and societies caused by overhanging shared global issues – such as climate change, mass migration, and technological acceleration – find space in speculative practices. The first of...
Relativism, Alternate History, and the Forgetful Reader
The writer of alternate history asks “what if?” What if one historical event were different, what would the world look like today? In a similar way, the postmodern philosopher of history suggests that history is literature, or that if we read certain historical details differently we would get a distinctly different interpretation of past events. While the science fiction alternate history means to illuminate the past, to increase our understanding of past events, however, the postmodern approach to history typically suggests that such understanding is impossible. To the postmodern philosopher, history is like literature in that it does not offer the reader access to the past, but only an interesting story. Building on criticism that suggests personal psychological reasons for this obscuring the past, and using a literary theory of readership, this book challenges the postmodern approach to history. It channels the speculative power of science fiction to read the works of postmodern philosophy of history as alternate histories themselves, and to map the limits and pathology of their forgetful reading of the past.
The New Yorker
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