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Travels of Bollywood Cinema
From Bombay (Mumbai) and other production centres on the Indian subcontinent, Indian popular cinema has travelled globally for nearly a century, culminating in the Bollywood-inspired, Oscar-winning film Slumdog Millionaire. This volume brings together perspectives on Indian popular cinema, universally known as Bollywood now, from different disciplinary and geographical locations to look afresh at national cinemas. It shows how Bollywood cinema has always crossed borders and boundaries: from the British Malaya, Fiji, Guyana, Trinidad, Mauritius, and East and South Africa to the former USSR, West Asia, the UK, the USA, Canada, and Australia. While looking at the meanings of nation, diaspora, home, and identity in cinematic texts and contexts, the essays also examine how localities are produced in the new global process by broadly addressing nationalism, regionalism, and transnationalism, politics and aesthetics, as well as spectatorship and viewing contexts.
Crossover Stars in the Hindi Film Industry
This book explores the cultural politics of Pakistani crossover stardom in the Hindi film industry as a process of both assimilation and “Otherness”. Analysing the career profiles of three crossover performers – Ali Zafar, Fawad Khan, and Mahira Khan – as a relevant case study, it unites critical globalization studies with soft power theory in exploring the potential of popular culture in conflict resolution. The book studies the representation and reception of these celebrities, while discussing themes such as the meaning of being a Pakistani star in India, and the consequent identity politics that come into play. As the first comprehensive study of Pakistani crossover stardom, it captures intersections between political economy, cultural representation, and nationalist discourse, at the same time reflecting on larger questions of identity and belonging in an age of globalization. Crossover Stars in the Hindi Film Industry will be indispensable to researchers of film studies, media and cultural studies, popular culture and performance, peace and area studies, and South Asian studies. It will also be of interest to enthusiasts of Indian cinematic history.
Consuming Cultural Hegemony
This book examines the circulation and viewership of Bollywood films and filmi modernity in Bangladesh. The writer poses a number of fundamental questions: what it means to be a Bangladeshi in South Asia, what it means to be a Bangladeshi fan of Hindi film, and how popular film reflects power relations in South Asia. The writer argues that partition has resulted in India holding hegemonic power over all of South Asia’s nation-states at the political, economic, and military levels–a situation that has made possible its cultural hegemony. The book draws on relevant literature from anthropology, sociology, film, media, communication, and cultural studies to explore the concepts of hegemony, circulation, viewership, cultural taste, and South Asian cultural history and politics.
The Gothique: Myriad Manifestations
The Gothic has come a long way from the romantic quest for the imaginary. The gothic has proved to be an extremely enduing genre that has manifested itself in various forms in the cultural, literary, political, ecological and historical aspects of human existence. This anthology takes up various aspects of the Gothic ranging from ghost stories in literature and films to folklore and mythology to cultural horror, to showcase how Gothic is part of an omnipresent power structure that shapes the socio-cultural and psychological metanarrative that governs human ontology.
Childhoods in India
This book highlights the significance of an interdisciplinary approach to understanding children and childhoods in the Indian context. While it is recognised that multiple kinds of childhoods exist in India, policy and practice approaches to working with children are still based on a singular model of the ideal child rooted in certain Western traditions. The book challenges readers to go beyond the acknowledgement of differences to evolving alternate models to this conception of children and childhoods. Bringing together well-known scholars from history, politics, sociology, child development, paediatrics and education, the volume represents four major themes: the history and politics of chi...
International Journal on Multicultural Literature (IJML) Vol. 8, No. 1
ÿInternational Journal on Multicultural Literature (IJML) Volume 8 Number 1 (January 2018) ISSN 2231-6248. Highlights include The Spectral Visions of the Menace of Capitalism Masquerading as Modernity: an Explication of Bond?sÿSummer,ÿSavedÿandÿThe Pope's Weddingÿby S. ChelliahDigital Humanities and Literary Studies: A Conceptual Study by S. KumaranThe Metaphysical Quest of Raja Rao by Ramaswamy SubramonyAn Ecofeminist Analysis of Kamala Das? Select Short Stories by Armstrong SebastianThird Gender in India: Reconfiguring Identity by Poonam WadhwaThe Negro to Black Conversion Experience in Alex Haley?s Roots by Rosebel Wilson C & Baskaran GavarappanWar and Women: Enslavement and Emancip...
Bollywood Cinema
India is home to Bollywood - the largest film industry in the world. Movie theaters are said to be the "temples of modern India," with Bombay producing nearly 800 films per year that are viewed by roughly 11 million people per day. In Bollywood Cinema, Vijay Mishra argues that Indian film production and reception is shaped by the desire for national community and a pan-Indian popular culture. Seeking to understand Bollywood according to its own narrative and aesthetic principles and in relation to a global film industry, he views Indian cinema through the dual methodologies of postcolonial studies and film theory. Mishra discusses classics such as Mother India (1957) and Devdas (1935) and recent films including Ram Lakhan (1989) and Khalnayak (1993), linking their form and content to broader issues of national identity, epic tradition, popular culture, history, and the implications of diaspora.
Untimely Bollywood
An argument that the fast-paced, multivalent qualities of contemporary Bollywood cinema are emblematic of the changing conditions of media consumption in a globalizing India.
