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Islamic Architecture in Cairo
For architecture or history students or interested travellers, presents descriptions, histories, photographs, plans, and drawings of detail for buildings erected in the Egyptian capital from the earliest Islamic through the Ottoman periods. References to the Survey Map of the Islamic Monuments of Cairo aid readers in finding the buildings. A reprint of the 1989 publication. No index. Annotation copyrighted by Book News, Inc., Portland, OR
Practising Diplomacy in the Mamluk Sultanate
Elaborate and sensational gifts were the hallmark of Mamluk diplomacy. From Cairo, where they controlled the medieval spice trade and the holy sites of Christianity and Islam, the Mamluk Sultans - conscious of their humble slave origins - augmented their claims to legitimacy through brilliant displays of diplomatic gift-giving, creating a celebrated reputation for the Sultanate from Europe to the Far East. From spices, ceremonial textiles and military objects to elephants and giraffes, and even humans - either living or as severed heads - the offerings varied in combination and emphasis according to the status and circumstances of giver and receiver, but always created a sensation. Through an unparalleled study of primary sources and rigorous fieldwork, this original book - richly illustrated in colour - explores the unpredictable and nuanced art of the regal gift in the Mamluk Sultanate from 1250-1517. Doris Behrens-Abouseif not only provides the first study of this subject, but makes an important contribution to the study of diplomacy, economics, visual arts and material culture in the medieval period.
Dress and Dress Code in Medieval Cairo
In this book, Doris Behrens-Abouseif responds to the Mamluk chroniclers whose loquacity regarding clothing matters demands our attention. Using a multiplicity of sources including chronicles, European and Muslim travel narratives, popular storytelling, legal treatises, literature, and poetry, Behrens-Abouseif delves into the details of Mamluk dress. Whether as a vehicle for the sultanate’s self-representation both internationally and domestically or as an expression of religious and social identities, status and wealth, female assertion, urban culture, and artistic creativity, clothing personified the broad Mamluk social spectrum. Replete with colorful anecdotes and copious illustrations, Dress and Dress Code in Medieval Cairo offers a lively and comprehensive study of this fascinating topic.
The Book in Mamluk Egypt and Syria (1250-1517)
This book is the first to date to be dedicated to the circulation of the book as a commodity in the Mamluk sultanate. It discusses the impact of princely patronage on the production of books, the formation and management of libraries in religious institutions, their size and their physical setting. It documents the significance of private collections and their interaction with institutional libraries and the role of charitable endowments (waqf ) in the life of libraries. The market as a venue of intellectual and commercial exchanges and a production centre is explored with references to prices and fees. The social and professional background of scribes and calligraphers occupies a major place in this study, which also documents the chain of master-calligraphers over the entire Mamluk period. For her study the author relies on biographical dictionaries, chronicles, waqf documents and manuscripts.
Islamic Art in the 19th Century
This collection of essays provides a timely reassessment of nineteenth-century Islamic art and architecture. The essays demonstrate that the arts of that era were vibrant and diverse, making ingenious use of native traditions and materials or adopting imported conventions and new technologies. However, traditionalists, revivalists and modernists all referred in one way or another to an Islamic heritage, whether to reinvent, revive or reject it. Beginning with an historical introduction and an assessment of changing attitudes towards the visual arts the following essays provide case studies of architecture and art in Ottoman Turkey, Egypt, Morocco, sub-Saharan Africa, Iran, Central Asia, India and the Caribbean. They examine such issues as patronage, sources of artistic inspiration and responses to European art. The essays have a relevance and importance for our understanding of the societies and attitudes of that time, and have a direct bearing on the more general debate concerning cultural identity and the integration of modern ideas in the Muslim world. The book is richly illustrated with very many illustrations in black-and-white and in full colour.
Cairo Of The Mamluks
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Beauty in Arabic Culture
A study of the Arabic discourse on beauty. The author searched for her evidence in a wide variety of sources, such as the Qur'an, legal, religious and Sufi texts, chronicles, biographies, belle-lettres, literary criticism, and scientific, geographic and philosophical literature.
Qur’an Commentary and the Biblical Turn
The Qur’an and the Bible have been called "intertwined scriptures" due to the Qur’an’s frequent invocation of biblical narratives and figures. But what is the history of Muslims’ exegetical engagement with the biblical text? Through a comprehensive survey of more than 170 Qur’an commentaries, Samuel Ross traces the longitudinal history of the Bible in tafsῑr. Offering detailed case studies and rich in historical context, Ross’s narrative culminates in the remarkable late-nineteenth and early-twentieth-century biblical turn. Global in scope, this development has not only generated new Muslim views of the Bible but even new interpretations of the Qur’an itself. This monograph has been awarded the annual BRAIS – De Gruyter Prize in the Study of Islam and the Muslim World.
Cairo
"Details the shifts in Cairo's built environment through stories of important figures who marked the cityscape with their personal ambitions and their political ideologies"--Jacket.
Inscriptions of the Medieval Islamic World
This volume offers an overview of the state of the field, and shows the importance of Islamic inscriptions for disciplines such as art history, history and literature. The chapters range from surveys to detailed exploration of individual topics, providing an insight to some of the most recent cutting-edge work on Islamic inscriptions. It focuses on the period from the rise of Islam to the fifteenth century, ranging across the Islamic world from the Maghreb to India and Central Asia, and inscriptions in Arabic, Persian and Turkish.The five sections of the book draw together some of the principal themes: 'Royal Power' investigates the role of sultanic patronage in epigraphy, and the use of ins...
