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A defining work in the "Inner Emigration" literary movement, Friedrich Reck-Malleczewen's History of the Münster Anabaptists was written in 1937 as a criticism of the Nazi regime. This English translation includes documents, scholarly essays, and a detailed introduction.
How do you build a community from scratch? What kind of people undertake building a world-class resort the scope of Vail, Colorado? What motivated them and what entrepreneurial principles did they call upon? Not until The Making of a Community has the history of how it evolved from a business and organizational perspective been written. With a subtitle of The Vail Way, it describes how it happened in what way did the Vail Valley become so popular. More importantly, its a story of entrepreneurs who created something special out of nothing. Its the story of realizing a dream. The book explores the motivations that drove the founders and those who have followed. Who were the people the leaders who helped bring it to fruition? The Vail way is rooted in entrepreneurship. Its demonstrated regularly through the values, principles, and attitudes exhibited by entrepreneurs. Beyond vision, theres resilience, trust, focus, and teamwork. In the end, something extraordinary was built.
During the past decade, the role of Germany's economic elites under Hitler has once again moved into the limelight of historical research and public debate. This volume offers a brief but focused introduction to the role of German businesses and industries in the crimes of Hitler's Third Reich.
Hailed as one of the most important works on the Hitler period, this is an “astonishing, compelling, and unnerving” portrait of life in Nazi Germany between 1936 and 1944—from a man who nearly shot Hitler himself (The New Yorker). Friedrich Reck might seem an unlikely rebel against Nazism. Not just a conservative but a rock-ribbed reactionary, he played the part of a landed gentleman, deplored democracy, and rejected the modern world outright. To Reck, the Nazis were ruthless revolutionaries in Gothic drag, and helpless as he was to counter the spell they had cast on the German people, he felt compelled to record the corruptions of their rule. The result is less a diary than a sequence...
In the early decades of the twentieth century, almost everyone in modern theater, literature, or film knew of Otto Kahn (1867–1934), and those who read the financial press or followed the news from Wall Street could scarcely have missed his name. A partner at one of America’s premier private banks, he played a leading role in reorganizing the U.S. railroad system and supporting the Allied war effort in World War I. The German-Jewish Kahn was also perhaps the most influential patron of the arts the nation has ever seen: he helped finance the Metropolitan Opera, brought the Ballets Russes to America, and bankrolled such promising young talent as poet Hart Crane, the Provincetown Players, a...
Vols. for 1956- include a separately paged section: Directory of organizations, associations and institutions.