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From Karl Marx to Wyndham Lewis, this book examines Max Stirner's influence on the modern manifesto. Max Stirner has long proven to be an elusive figure at the fringes of 19th-century German idealism. He has been portrayed as the father of the philosophical dead end that was egoistic anarchism: a withered branch of an ineffectual movement, remembered largely because of its suggestion that crime was a valid form of revolutionary action. From this perspective, egoists subscribed to extreme forms of anarchism and defended acts of theft, assault, and even murder; egoism only held lasting appeal to rebels, nihilists, and criminals; and Stirner's ideas could – and should – be consigned to the ...
This volume explores the fraught relationship between Futurism and the Sacred. Like many fin-de-siècle intellectuals, the Futurists were fascinated by various forms of esotericism such as theosophy and spiritualism and saw art as a privileged means to access states of being beyond the surface of the mundane world. At the same time, they viewed with suspicion organized religions as social institutions hindering modernization and ironically used their symbols. In Italy, the theorization of "Futurist Sacred Art" in the 1930s began a new period of dialogue between Futurism and the Catholic Church. The essays in the volume span the history of Futurism from 1909 to 1944 and consider its different configurations across different disciplines and geographical locations, from Polish and Spanish literature to Italian art and American music.
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Focuses on the recent "Enemy Combatant Cases" to provide a stern critique of the legal and constitutional basis for the enormous expansion of presidential power during the Bush administration's "War on Terror," and the challenges (especially in the Supreme Court) that such expansion has inspired.
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