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Presents a catalog that surveys the Dutch paintings found in the Metropolitan Museum of Art.
The Rose and Geryon examines patterns of verbal behavior in works by Jean de Meun and Dante (with a focus on the Romance of the Rose and the Divine Comedy) in relationship with the most influential systems of verbal sins in the Middle Ages, systems elaborated by William Peraldus, Thomas Aquinas, Domenico Cavalca, and Laurent of Orléans. The book begins with a presentation of these four systems, and from there proceeds to analyze Jean de Meun's Testament as a possible source of influence for the Divine Comedy and take a closer look at Dante's prose works in search for a comprehensive theory of sinful speech. Furthermore Baika discusses verbal transgressions such as flattery, evil counsel, do...
The interest generated by the conservation and rehanging of a Velazquez picture "Portrait of a Man", led the Metropolitan Museum to consider how it might hold an exhibition of Velaquez's oeuvre, to show how his work led to this particular picture being painted, and how it informed his future work.
"Color-illustrated catalogue of an exhibition of the same title to be held at the Samuel P. Harn Museum of Art October 28, 2003 - February 22, 2004. Catalogue will include three essays (authors indicated on reverse of form) and checklist of the exhibition. Subject matter deals with contemporary folk art in Puerto Rico and popular religious devotion in Puerto Rico."
One of the most influential texts of its time, the Romance of the Rose offers readers a window into the world view of the late Middle Ages in Europe, including notions of moral philosophy and courtly love. Yet the Rose also explores topics that remain relevant to readers today, such as gender, desire, and the power of speech. Students, however, can find the work challenging because of its dual authorship by Guillaume de Lorris and Jean de Meun, its structure as an allegorical dream vision, and its encyclopedic length and scope. The essays in this volume offer strategies for teaching the poem with confidence and enjoyment. Part 1, "Materials," suggests helpful background resources. Part 2, "Approaches," presents contexts, critical approaches, and strategies for teaching the work and its classical and medieval sources, illustrations, and adaptations as well as the intellectual debates that surrounded it.
Issued in connection with an exhibition held Feb. 10-May 18, 2008, Samuel P. Harn Museum of Art, University of Florida.
In advance of celebrating its twentieth anniversary, the Samuel P. Harn Museum of Art presents this beautiful catalog of highlights of American art drawn from its permanent collection. Each work is represented by a full-page photograph and an accompanying description that places the piece and its creator in artistic and historical context. American Selections features eighty-eight works selected from the 2,490 American works in the museum's modern, contemporary, photography, and works on paper collections. The artists represented include Diane Arbus, Georgia O'Keeffe, Childe Hassam, Andy Warhol (the only artist included in the book twice), and many others, both well known and emerging. American painting of the first half of the twentieth century was one of the core collections when the Harn Museum opened its doors in 1990. In the two decades since, the American holdings have been greatly expanded, particularly with paintings, drawings, installations, and photographs from the second half of the century, thanks to the generosity of many donors.
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