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TV Drama in the Multiplatform Era
This edited collection examines a new phase in the creation of transnational high-end drama in television’s current multiplatform era. Fuelled by the wider international exposure that internet distribution has brought to TV shows, this phase for high-end drama is one of unprecedented budgets and costs, frequent transnational coproduction and increased cultural diversification. While this drama continues to be facilitated by national broadcasters, fuelling the above trio of influences upon it has been the commissioning activity of multinational subscription-video-on-demand (SVoD) providers. This book showcases leading examples of transnational TV drama, produced outside the US, yet involving collaboration with US-owned SVoDs. It foregrounds some new potentials for drama creation in the context of its strategic importance to providers as different as national broadcasters and multinational SVoDs. This book helps to explain why today’s high-end dramas are demonstrating new elements of cultural specificity despite their common objective to engage a diverse international audience.
Forensic Science in Contemporary American Popular Culture
This book identifies, traces, and interrogates contemporary American culture's fascination with forensic science. It looks to the many different sites, genres, and media where the forensic has become a cultural commonplace. It turns firstly to the most visible spaces where forensic science has captured the collective imagination: crime films and television programs. In contemporary screen culture, crime is increasingly framed as an area of scientific inquiry and, even more frequently, as an area of concern for female experts. One of the central concerns of this book is the gendered nature of expert scientific knowledge, as embodied by the ubiquitous character of the female investigator. Steenberg argues that our fascination with the forensic depends on our equal fascination with (and suspicion of) women's bodies--with the bodies of the women investigating and with the bodies of the mostly female victims under investigation.
Transnational Television Drama
This history of British and American television drama since 1970 charts the increased transnationalisation of the two production systems. From The Forsyte Saga to Roots to Episodes , it highlights the close relationship that drives innovation and quality on both sides of the Atlantic.
Danish Television Drama
This book explores how to understand the international appeal of Danish television drama and Nordic Noir in the 2010s. Focusing on production and distribution as well as the series and their reception, the chapters analyse how this small nation production culture was suddenly regarded as an example of best practice in the international television industries, and how the distribution and branding of particular series – such as Forbrydelsen/The Killing, Borgen and Bron/The Bridge – led to dedicated audiences around the world. Discussing issues such as cultural proximity, transnationalism and glocalisation, the chapters investigate the complex interplays between the national and international in the television industries and the global lessons learned from the way in which screen ideas, production frameworks and public service content from Denmark suddenly managed to travel widely. The book builds on extensive empirical material and case studies conducted as part of the transnational research project ‘What Makes Danish Television Drama Travel?’
Cultural Specificity in Transnational Television Drama
"Cultural Specificity in Transnational Television Drama examines two European television industries: those of Germany and Wales. The book analyses how near-global shifts towards the fragmentation of audiences, the convergence of media and the transnationalisation of the television industries' impact in culturally specific ways. It shows that these larger developments in the industries intersect with specific local histories and cultures which influence how the changes are experienced and to what kind of stories they lead. Offering a comparative cultural analysis of these two industries and their output, and drawing on a variety of methods which include interviews, analysis of published inter...
Transatlantic Television Drama
In 2014, the UK science-fiction television series Black Mirror was released on Netflix worldwide, quickly becoming a hit with US audiences. Like other beloved British imports, this series piqued Americans' interest with hints of dark comedy, clever plotlines, and six-episode seasons that left audiences frantic for more. In Transatlantic Television Drama, volume editors Michele Hilmes, Matt Hills, and Roberta Pearson team up with leading scholars in TV studies and transnational television to look at how serial dramas like Black Mirror captivate US audiences, and what this reveals about the ways Americans and Brits relate to each other on and off the screen. Focusing on production strategies, ...
Reading CSI
Taking a scalpel to the CSI juggernaut
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Men's Cinema focuses on how film style conveys and articulates a sense of masculinity. It examines the use of mise-en-scene in classical cinema to emphasize the frequently repressed traumas of masculinity. The book then analyzes a selection of such contemporary "men's" films as Once Upon a Time in the West (1968), Raging Bull (1980), The Right Stuff (1983), and Gladiator (2000).
Feminist Collections
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The New Formula for Cool
"Our society has undergone a paradigm shift. In the information age, you and I are the alpha males," Dr. Leonard Hofstadter, experimental physicist and protagonist of the hit sitcom The Big Bang Theory, assures himself and his fellow scientists. The success of this show and similar works in American popular culture proves his point: Science has finally discovered the formula for cool. This interdisciplinary study examines how "cool," a key aesthetic and affective category in the American imagination, informs contemporary representations of science and technology. Analyzing selected audiovisual productions, Judith Kohlenberger sheds light on the interaction between science and popular culture, two pivotal sources for change in post-industrial America.
