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Post-Christian Religion in Popular Culture
Post-Christian Religion in Popular Culture offers exegetical analyses of the post-Christian theological and religious messages found within twenty-first century popular culture. The author argues how the consumption of popular culture in the twenty-first century has the potential to reshape the possibilities of believing in late modernity.
Narrative Desire and the Book of Ruth
Stephanie Day Powell illuminates the myriad forms of persuasion, inducement, discontent, and heartbreak experienced by readers of Ruth. Writing from a lesbian perspective, Powell draws upon biblical scholarship, contemporary film and literature, narrative studies, feminist and queer theories, trauma studies and psychoanalytic theory to trace the workings of desire that produced the book of Ruth and shaped its history of reception. Wrestling with the arguments for and against reading Ruth as a love story between women, Powell gleans new insights into the ancient world in which Ruth was written. Ruth is known as a tale of two courageous women, the Moabite Ruth and her Israelite mother-in-law N...
Angels on Earth: Mothering, Religion and Spirtuality
This collection brings together scholarly and creative pieces that reveal how the intellectual, emotional, and physical work of mothering is informed by women’s religiosities and spiritualities. Its contributors examine contemporary and historical perspectives on religious and spiritual mothering through interdisciplinary research, feminist life writing, textual analyses, and creative non-fiction work. In contrast to the bulk of feminist scholarship which marginalizes women’s religious and spiritual knowledges, this volume explores how such epistemologies fundamentally shape the lived experiences of diverse mothers across the globe. In emphasizing the empowerment and enrichment that women derive from their religious beliefs and spiritual worldviews, Angels on Earth invites readers to cultivate a deeper understanding of how mothers are transforming their local communities, religious institutions, and broader spiritual traditions.
A Phenomenology of the Alien
A Phenomenology of the Alien: Encounters with the Weird and Inscrutable Other considers both literal and figurative experiences of the alien from a psychological, psychoanalytic and philosophical perspective. Throughout the book, the authors wrestle with the unexplained, ineffable, unspeakable, sublime, uncanny, abject and Miéville’s abcanny. This collection provides phenomenologies of encounters with the inscrutably alien from lights in the sky, dark corners of Weird fictional landscapes, architecture, technology, or the clinical symptom. The chapters examine fictional and nonfictional encounters with what exceeds the capacity to “make sense,” taking a new approach to the topic of alterity and inviting the reader to examine how these encounters reflect our contemporary condition culturally, individually, clinically, theologically and philosophically. Bridging cultural, psychoanalytic, literary, clinical, media, and religious studies, the novel approaches in this volume will be of interest to students and scholars alike.
Lee Edelman and the Queer Study of Religion
This book takes the groundbreaking work of Lee Edelman in queer theory and, for the first time, demonstrates its importance and relevance to contemporary theology, biblical studies, and religious studies. It argues that despite extensive interest in Edelman’s work, we have barely begun to understand the significance of Edelman’s ideas both in their own right and with respect to the study of religion. Therefore, it offers fresh approaches to Edelman’s work that necessarily complicate the established interpretations of his thinking. With essays by rising and established scholars, as well as a response by Edelman himself, it contends that by fully engaging Edelman, scholars of religion will have to confront negativity and its consequences in ways that will contribute to reshaping the terrain of scholarship on religion, race, sexuality, and social change. The insights provided in this book are new territory for much of the study of religion. As such, it will be of keen interest to scholars of religious studies, theology, and Biblical studies, as well as gender studies and queer, feminist, and critical race theory.
Divinity, Hospitality and the Posthuman in 21st-Century Literature
What does it feel like to experience the sacred today? Examining in detail many of this century's most significant writers, including Margaret Atwood, Salman Rushdie, Elizabeth Strout, Marilynne Robinson, Mohsin Hamid, Michael Chabon, Howard Jacobson and Don DeLillo, Divinity, Hospitality and the Posthuman in 21st-Century Literature: The Material Sacred argues that contemporary social and cultural forms, most especially those of 21st century literature, are marked by what Emily McAvan calls a material sacred. Placing Christian, Jewish and Muslim writers in conversation with the new materialisms, this book shows how secular and sacred mix unpredictably in contemporary writing. In this important contribution to the understanding of religion, materialism and literature, McAvan maps new territory, arguing that the material sacred shows us that the human and non-human, the divine and the profane, have been interwoven from the start.
Jeanette Winterson and Religion
Since the publication of her first novel, Oranges Are Not the Only Fruit, Jeanette Winterson quickly established herself as a powerful and insightful writer on sexuality and gender. However, the profound and persistent religious themes of her work have received much less critical attention. Jeanette Winterson and Religion is the first in-depth study of the ways in which Winterson navigates the sacred and the profane in the full range of her writing, from her first novel to later works such as The PowerBook and The Stone Gods. This book reads the author's work alongside the theological turn in the thought of such theorists as Alain Badiou, John D. Caputo and Julia Kristeva as well as feminist and queer theologians such as Catherine Keller and Marcella Althaus-Reid. In this way, Jeanette Winterson and Religion reveals how Jeanette Winterson stakes out a unique and intriguing post-secular literary form of the sacred.
The Postmodern Sacred
From The Matrix and Harry Potter to Stargate SG:1 and The X-Files, recent science fiction and fantasy offerings both reflect and produce a sense of the religious. This work examines this pop-culture spirituality, or "postmodern sacred," showing how consumers use the symbols contained in explicitly "unreal" texts to gain a secondhand experience of transcendence and belief. Topics include how media technologies like CGI have blurred the lines between real and unreal, the polytheisms of Buffy and Xena, the New Age Gnosticism of The DaVinci Code, the Islamic "Other" and science fiction's response to 9/11, and the Christian Right and popular culture. Today's pervasive, saturated media culture, this work shows, has utterly collapsed the sacred/profane binary, so that popular culture is not only powerfully shaped by the discourses of religion, but also shapes how the religious appears and is experienced in the contemporary world.
