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Examines the life-affirming and enchanting aspects of Woolf's and Rhys's modernism with feminist, affect and new materialist theories.
This book inaugurates a new phase in kitsch studies. Kitsch, an aesthetic slur of the 19th and the 20th century, is increasingly considered a positive term and at the heart of today’s society. Eleven distinguished authors from philosophy, cultural studies and the arts discuss a wide range of topics including beauty, fashion, kitsch in the context of mourning, bio-art, visual arts, architecture and political kitsch. In addition, the editors provide a concise theoretical introduction to the volume and the subject. The role of kitsch in contemporary culture and society is innovatively explored and the volume aims not to condemn but to accept and understand why kitsch has become acceptable today.
How do we convey felt, intimate encounters between people, shared objects, spaces, and atmospheres? How do we inquire of moments that make themselves felt with the sparest of signs, in flashing glances and gestures; the felt feeling of relations in which unfamiliar forms take shape? Just how might we set about writing sensation? Writing Sensation: Sense, Events, and Encounters with Creative-Relational Inquiry takes on these questions with creativity, speculation, and invention. This book illuminates the ‘creative-relational’ as a poietic and transversal concept of an inquiry capable of attending to the way events throw themselves together, and how forms take shape in the interplay of dif...
This book investigates how we are involved in politically informed structures and how they appear to us. Following different approaches in contemporary aesthetics and cultural philosophy, such as everyday aesthetics, atmosphere and aestheticization, the contributions explore how embedded powers in politics, education, democracy, and landscape are analyzed through aesthetics.
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Capacious: Journal for Emerging Affect Inquiry is an open access, peer-reviewed international journal. The principal aim of Capacious is to ‘make room’ for a wide diversity of approaches and emerging voices to engage with ongoing conversations in and around affect studies. Capacious endeavours to promote diverse bloom-spaces for affect’s study over the dulling hum of any specific orthodoxy. Introduction by Camilla Møhring Reestorff and afterword by Dana Lucian. Essays by Nael Bhanji, Alexia Cameron, Omar Kasmani, Mari Ramler, and Eret Talaviste. Interstices (short visual and textual interventions) by Ruth Charnok, Jeremy Gilbert and Jason Read, and Mandy-Suzanne Wong. Book review by Ana Dragojlovic.
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