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“My Soul Is A Witness”
This special collection assembles some of the most pre-eminent scholars in the field in African, African American, and American Studies to explore the ways writers reclaim the Black female body in African American literature using the theoretical, social, cultural, and religious frameworks of spirituality and religion. Central to these discussions is Black women’s agency within these realms—their uncanny ability to invent and reinvent themselves within individual and communal spaces that frame them as both outsider and insider, unworthy and worthy, deviant and sacred, excess and minimal. Scholars have sought to discuss these tensions, acknowledged and affirmed in prose, poetry, music, essays, speeches, written plays, or short stories. Forgiveness, healing, redemption, and reclamation provide entry into these vibrant explorations of self-discovery, passion, and self-creation that interrogate traditional views of what is spiritual and what is religious. Discussed writers include Toni Morrison, Phillis Wheatley, James Baldwin, Tina McElroy Ansa, Toni Cade Bambara, and Thomas Dorsey.
Call of Classical Literature in the Romantic Age
Examines the role that cinema played in imagining Hong Kong and Taiwan's place in the world
Revolutions and Reconstructions
Revolutions and Reconstructions gathers historians of the early republic, the Civil War era, and African American and political history to consider not whether black people participated in the politics of the nineteenth century but how, when, and with what lasting effects. Collectively, its authors insist that historians go beyond questioning how revolutionary the American Revolution was, or whether Reconstruction failed, and focus, instead, on how political change initiated by African Americans and their allies constituted the rule in nineteenth-century American politics, not occasional and cataclysmic exceptions. The essays in this groundbreaking collection cover the full range of politica...
Mania for Freedom
“Nothing great was ever achieved without enthusiasm,” wrote Ralph Waldo Emerson in 1841. While this statement may read like an innocuous truism today, the claim would have been controversial in the antebellum United States when enthusiasm was a hotly contested term associated with religious fanaticism and poetic inspiration, revolutionary politics and imaginative excess. In analyzing the language of enthusiasm in philosophy, religion, politics, and literature, John Mac Kilgore uncovers a tradition of enthusiasm linked to a politics of emancipation. The dissenting voices chronicled here fought against what they viewed as tyranny while using their writings to forge international or antinat...
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Phillis Wheatley's Poetics of Liberation
In this volume, John C. Shields demonstrates that much of the negative response to Phillis Wheatley's writings has been based on false assumptions and myths about her and her work. Much of this criticism began more than a century ago and has been passed on without dissent by generations of readers. Here, Shields sets a course for Wheatley scholars that will redefine the direction of future writing about her. Shields provides new readings for a great many of her poems. He shows that Wheatley's writing was deeply imbedded in several literary traditions, demonstrating that her work is the result of an African inheritance, a complex relationship with a Congregationalist religious heritage, and an intense involvement with classical literature. Read closely, Wheatley's works show she deserves credit for creating a liberationist aesthetic - the full implications of which are still to be worked out. --From publisher's description.
Reading African American Autobiography
From the 1760s to Barack Obama, this collection offers fresh looks at classic African American life narratives; highlights neglected African American lives, texts, and genres; and discusses the diverse outpouring of twenty-first-century memoirs.
