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Necrodialogues and Media
This volume is an original contribution to the understanding of the various forms of communication with the dead. Terming them "necrodialogues", it examines these forms of communication in relation to cultural and ritual practices of necromancy and mediumism on the one hand, and to the development of technologies for establishing contact with the beyond on the other. While recent scholarship in media and cultural studies rejects the narrative that technological progress in modernity eclipsed religious experiences and occult practices, twentieth- and twenty-first-century literary studies, holding on to the secularization paradigm, still largely dismiss practices of communication with the dead as anti-modern. By bringing together perspectives from different disciplines, this volume emphasizes the interconnectedness of literary necrodialogues and other cultural and media practices of communicating with the dead. The main aim of the collection is to explore the cultural, historical, anthropological, and media contexts in which modern necrodialogues are produced and invested with different meanings.
Greek and Roman Textiles and Dress
Twenty chapters present the range of current research into the study of textiles and dress in classical antiquity, stressing the need for cross and inter-disciplinarity study in order to gain the fullest picture of surviving material. Issues addressed include: the importance of studying textiles to understand economy and landscape in the past; different types of embellishments of dress from weaving techniques to the (late introduction) of embroidery; the close links between the language of ancient mathematics and weaving; the relationships of iconography to the realities of clothed bodies including a paper on the ground breaking research on the polychromy of ancient statuary; dye recipes and...
The History of Cancer and Emotions in Twentieth-Century Germany
Different people feel different emotions when they are diagnosed with cancer. Both today and a century ago, fear and hope, shame and disgust, sadness and joy are and were the emotions experienced by many cancer patients and their loved ones. But these emotions do not just have significance for the people who feel them. They have also exerted a surprisingly profound influence on how hospitals and laboratories dealt with cancer, how early detection campaigns portrayed it, and how doctors talked about it with their patients. Bettina Hitzer details the history of cancer and emotions in twentieth-century Germany and thus follows the cancer-associated transformations of emotional regimes, emotional politics, and emotional experiences through five different political systems. In doing so, the study underscores that political caesuras resonate in the immediate corporeality of the history of emotions.
The Connectivity of Things
A media history of the material and infrastructural features of networking practices, a German classic translated for the first time into English. Nets hold, connect, and catch. They ensnare, bind, and entangle. Our social networks owe their name to a conceivably strange and ambivalent object. But how did the net get into the network? And how can it reasonably represent the connectedness of people, things, institutions, signs, infrastructures, and even nature? The Connectivity of Things by Sebastian Giessmann, the first media history that addresses the overwhelming diversity of networks, attempts to answer all these questions and more. Reconstructing the decisive moments in which networking ...
Nietzsche's Naturalism
This book examines Nietzsche's philosophical naturalism both historically and philosophically, establishing a link between his discussions of nature and normativity.
Branding the Campus
In his most recent art project, Branding the Campus, Christian Philipp Muller considers the representation of the university in the public sphere. Taking the University of Luneberg as its main site of inquiry, Muller's investigations reveal that "branding" is not simply the creation of identificatory signs. Branding the Campus problematizes the commercial pressures put on universities of late, pressures which affect the content and social criteria of academic culture. Textual and photographic documentation of Muller's two-part permanent installation is accompanied by essays examining the methodological and content-oriented relationship between this work and the artist's previous projects.
Colonialism and the Jews in German History
Colonialism and the Jews in German History brings together new and path-breaking studies on the historical relationship between colonialism and the Jews in Germany. The book considers the mutual influences on the situation of the Jews in Germany, including attitudes towards Jews and anti-Semitism but also Jewish self-conceptions, and the ideology and politics of German colonialism. The contributors discuss the ways in which colonial ideology and practice have affected the position of the Jews in Germany, and the relationship between anti-Semitism and colonial racism. In doing so, the volume introduces German colonialism as a relevant context for German-Jewish history, and it expands the perspective on German colonial history significantly by considering Jews both as distinct objects and also as agents within the field of German colonialism. The volume includes studies on the pre-colonial era, the phase of active German colonialism since the 1880s, and the time after Germany lost its colonies in the First World War. All these studies testify to the fact that German-Jewish history takes on additional significance if seen as part of a global history of collective relationships.
Historical Social Research
International journal for the application of formal methods to history.
What is an Image?
Brings together historians, philosophers, critics, postcolonial theorists, and curators to ask how images, pictures, and paintings are conceptualized. Issues discussed include concepts such as "image" and "picture" in and outside the West; semiotics; whether images are products of discourse; religious meanings; and the ethics of viewing.
Das Unbewusste
Die Wissenschaft hat eine heilige Scheu vor dem Unbewussten. Für die wissenschaftliche Rationalität stellt es Bedrohung und Faszination zugleich dar - und aus dieser Ambivalenz speist sich auch die geschlechtliche Codierung des Unbewussten durch die Wissenschaften. Doch so sehr sich die wissenschaftliche Logik durch dieses »Andere« gefährdet sieht - sie ist auf diese Störungen angewiesen. Ähnlich wie das Weibliche als Katalysator für die künstlerische Einbildungskraft fungiert, wirkt das Unbewusste als Motor wissenschaftlicher Wissensproduktion.Den vielfältigen Dynamiken des Unbewussten in der Wissens- und Geschlechterordnung will der Band auf die Spur kommen. Die Beiträge befassen sich sowohl mit der Wissensgeschichte des Unbewussten, den unbewussten Gendercodes der Wissensordnung als auch mit dem visuellen und politischen Unbewussten.
